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Sisällön tarjoaa Martyn Ware. Martyn Ware tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.
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EP218: Jason Tawkin and TONTO

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Manage episode 446703972 series 2889933
Sisällön tarjoaa Martyn Ware. Martyn Ware tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.

The Original New Timbral Orchestra (TONTO) is the first and largest multitimbral polyphonic analog synthesizer, capable of producing many tone colours with different voices simultaneously.

Beginning with a single Moog Series III Modular in 1968, creators Malcolm Cecil and Robert Margouleff continued to expand TONTO with modules from different manufacturers, along with custom additions designed by Cecil. It marked the first attempt at creating a universal language for different synthesizers to communicate with each other, which was revolutionary. Under the name Tonto’s Expanding Head Band, Cecil and Margouleff released the highly influential album Zero Time. The album demonstrated the rich, layered sounds of the massive synth, attracting significant attention and major collaborations.

TONTO can be heard on many Stevie Wonder classics, including “Superstition," “Living for the City” and “You Are the Sunshine of My Life,” as well as hits by the Isley Brothers, Minnie Riperton, Joan Baez, the Doobie Brothers, Quincy Jones, Randy Newman and others.

Jason Tawkin leads us through the incredible story of how this massive instrument came to be donated to the National Music Centre in Calgary, Canada, and its renovation, enabling TONTO’s full capabilities to be used by musicians from around the world once again…

If you can, please support the Electronically Yours podcast via my Patron: patron.com/ellectronicallyours

  continue reading

235 jaksoa

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iconJaa
 
Manage episode 446703972 series 2889933
Sisällön tarjoaa Martyn Ware. Martyn Ware tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.

The Original New Timbral Orchestra (TONTO) is the first and largest multitimbral polyphonic analog synthesizer, capable of producing many tone colours with different voices simultaneously.

Beginning with a single Moog Series III Modular in 1968, creators Malcolm Cecil and Robert Margouleff continued to expand TONTO with modules from different manufacturers, along with custom additions designed by Cecil. It marked the first attempt at creating a universal language for different synthesizers to communicate with each other, which was revolutionary. Under the name Tonto’s Expanding Head Band, Cecil and Margouleff released the highly influential album Zero Time. The album demonstrated the rich, layered sounds of the massive synth, attracting significant attention and major collaborations.

TONTO can be heard on many Stevie Wonder classics, including “Superstition," “Living for the City” and “You Are the Sunshine of My Life,” as well as hits by the Isley Brothers, Minnie Riperton, Joan Baez, the Doobie Brothers, Quincy Jones, Randy Newman and others.

Jason Tawkin leads us through the incredible story of how this massive instrument came to be donated to the National Music Centre in Calgary, Canada, and its renovation, enabling TONTO’s full capabilities to be used by musicians from around the world once again…

If you can, please support the Electronically Yours podcast via my Patron: patron.com/ellectronicallyours

  continue reading

235 jaksoa

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