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Sisällön tarjoaa The B-Side: A Film Stage Podcast and The Film Stage. The B-Side: A Film Stage Podcast and The Film Stage tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.
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Ep. 138 – Robert Redford (feat. Blake Howard)

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Manage episode 413416731 series 3404685
Sisällön tarjoaa The B-Side: A Film Stage Podcast and The Film Stage. The B-Side: A Film Stage Podcast and The Film Stage tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.
Welcome to The B-Side, from The Film Stage. Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we talk about the movie star. The person who if you looked up “movie star” in the dictionary there would be a picture of him. Robert Redford! Today we talk the esteemed career of the quintessential movie star. Our B-Sides include: The Hot Rock, The Great Waldo Pepper, Havana, and The Last Castle. Our guest today is Blake Howard, podcast producer, host, and really good guy. Check out One Heat Minute Productions for everything new and relevant in Blake’s world. We discuss a million things, from why The Hot Rock is so hard to find, to the airplane stunts in The Great Waldo Pepper, to why Havana doesn’t work. There’s an investigation into the politics of The Last Castle, a brief celebration of Lena Olin, and a quick rave for Jordan Harper’s searing short story “My Savage Year.” Additional topics include that upcoming City of Hope release, why Peter Yates is “slow vibes central,” why great screenwriter William Goldman knew why The Great Waldo Pepper underwhelmed at the box office (from his book Adventures in the Screen Trade), and how exactly the A-Side The Natural literally looks like nostalgia. Finally, we mention why Raul Julia didn’t take a credit on Havana, we reference that superb Scott Frank New Yorker profile, proclaim ourselves defenders of Hollywood Homicide, and discuss the end of Redford’s career. Be sure to give us a follow on Twitter and Facebook at @TFSBSide. Also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor.
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iconJaa
 
Manage episode 413416731 series 3404685
Sisällön tarjoaa The B-Side: A Film Stage Podcast and The Film Stage. The B-Side: A Film Stage Podcast and The Film Stage tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.
Welcome to The B-Side, from The Film Stage. Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we talk about the movie star. The person who if you looked up “movie star” in the dictionary there would be a picture of him. Robert Redford! Today we talk the esteemed career of the quintessential movie star. Our B-Sides include: The Hot Rock, The Great Waldo Pepper, Havana, and The Last Castle. Our guest today is Blake Howard, podcast producer, host, and really good guy. Check out One Heat Minute Productions for everything new and relevant in Blake’s world. We discuss a million things, from why The Hot Rock is so hard to find, to the airplane stunts in The Great Waldo Pepper, to why Havana doesn’t work. There’s an investigation into the politics of The Last Castle, a brief celebration of Lena Olin, and a quick rave for Jordan Harper’s searing short story “My Savage Year.” Additional topics include that upcoming City of Hope release, why Peter Yates is “slow vibes central,” why great screenwriter William Goldman knew why The Great Waldo Pepper underwhelmed at the box office (from his book Adventures in the Screen Trade), and how exactly the A-Side The Natural literally looks like nostalgia. Finally, we mention why Raul Julia didn’t take a credit on Havana, we reference that superb Scott Frank New Yorker profile, proclaim ourselves defenders of Hollywood Homicide, and discuss the end of Redford’s career. Be sure to give us a follow on Twitter and Facebook at @TFSBSide. Also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor.
  continue reading

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