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Sisällön tarjoaa Telegraph Road Productions and Filmspotting Network. Telegraph Road Productions and Filmspotting Network tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.
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#462: War Bonds, Pt. 1 — The Killing Fields

54:37
 
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Manage episode 467228285 series 2301142
Sisällön tarjoaa Telegraph Road Productions and Filmspotting Network. Telegraph Road Productions and Filmspotting Network tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.

Intro & Oscars Chitchat: 00:00:00-00:08:52

Keynote: 00:08:53-00:13:50

The Killing Fields Discussion: 00:13:51-44:37

Feedback & Outro: 00:44:38-end

Summary:

The Oscar-nominated documentary NO OTHER LAND, a collaboration between Palestinian and Israeli filmmakers whose common cause and eventual friendship does not change the stark contrast in their political status, brought to mind another story of two journalists from strikingly different backgrounds who bond in the midst of a geopolitical hotspot: 1984’s THE KILLING FIELDS. We’re joined this week by Slate writer and critic Sam Adams to revisit Roland Joffé’s dramatization of the relationship between New York Times reporter Sydney Schanberg and Dith Pran, the Cambodian interpreter who worked alongside him as the country fell to the Khmer Rouge, to consider how THE KILLING FIELDS plays several decades removed from a conflict that would have been recent history for contemporary audiences. And in Feedback we share a listener’s explanation for one of our lingering questions from our recent discussion of THE OTHERS.

Please share your thoughts about THE KILLING FIELDS, NO OTHER LAND, or anything else in the world of film, by sending an email or voice memo to [email protected], or leaving a short voicemail at (773) 234-9730.

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

477 jaksoa

Artwork
iconJaa
 
Manage episode 467228285 series 2301142
Sisällön tarjoaa Telegraph Road Productions and Filmspotting Network. Telegraph Road Productions and Filmspotting Network tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.

Intro & Oscars Chitchat: 00:00:00-00:08:52

Keynote: 00:08:53-00:13:50

The Killing Fields Discussion: 00:13:51-44:37

Feedback & Outro: 00:44:38-end

Summary:

The Oscar-nominated documentary NO OTHER LAND, a collaboration between Palestinian and Israeli filmmakers whose common cause and eventual friendship does not change the stark contrast in their political status, brought to mind another story of two journalists from strikingly different backgrounds who bond in the midst of a geopolitical hotspot: 1984’s THE KILLING FIELDS. We’re joined this week by Slate writer and critic Sam Adams to revisit Roland Joffé’s dramatization of the relationship between New York Times reporter Sydney Schanberg and Dith Pran, the Cambodian interpreter who worked alongside him as the country fell to the Khmer Rouge, to consider how THE KILLING FIELDS plays several decades removed from a conflict that would have been recent history for contemporary audiences. And in Feedback we share a listener’s explanation for one of our lingering questions from our recent discussion of THE OTHERS.

Please share your thoughts about THE KILLING FIELDS, NO OTHER LAND, or anything else in the world of film, by sending an email or voice memo to [email protected], or leaving a short voicemail at (773) 234-9730.

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

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