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Film & TV, The Creative Process: Acting, Directing, Writing, Cinematography, Producers, Composers, Costume Design, Talk Art & Creativity

Acting, Directing, Writing, Cinematography Producing Conversations: Creative Process Original Series

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Film & TV episodes of the popular The Creative Process podcast. We speak to actors, directors, writers, cinematographers & variety of behind the scenes creatives about their work and how they forged their creative careers. To listen to ALL arts & creativity episodes of “The Creative Process · Arts, Culture & Society”, you’ll find our main podcast on Apple: tinyurl.com/thecreativepod, Spotify: tinyurl.com/thecreativespotify, or wherever you get your podcasts! Exploring the fascinating minds o ...
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Join us as we go behind the scenes and onset with Director of Photography Austin Roghelia and Producer Trevor Barone from Ideal Impact Media and Spark11 Productions. "How We Shot It" dives into commercial and wedding video production. Topics will include pre-production, lighting, audio, directing, gear, and everything in between. Watch At: https://www.youtube.com/c/Check2Studios Engage At: https://www.facebook.com/groups/Check2Studios Support At: https://www.patreon.com/check2studios
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Indie Film Hustle is dedicated to showing you how to hack filmmaking & the film business. Interviews with Acadamy Award® / Oscar nominees and industry professionals giving you the real deal from the inside with no BS, just the truth on what it takes to survive and thrive doing what you love. We discuss cinematography, RED Camera, Arri Alexa, Blackmagic camera, post production, color grading, filmmaking, visual effects, motion graphics, film festivals, editing, film crews, directing, producin ...
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The Cinematography Podcast Episode 336: Alice Brooks, ASCFor cinematographer Alice Brooks, ASC, shooting both Wicked and Wicked: For Good concurrently was a huge feat. The giant sets, precise camerawork and complex, live lighting cues for the musical numbers required detailed planning and prep. But first, Alice and her long-time collaborator, direc…
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“We're at times where a lot of the arts are really suffering in multiple countries with funding and cost of living. Understandably, people come for the arts, but our job is at times to hold a mirror to society. We can learn a huge amount. It can really change everyone's perspective. So look, it could be escapism, and we all need that at times, but …
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The Cinematography Podcast Episode 335: Jess HallCinematographer Jess Hall, ASC, BSC reunited with director Matt Shakman to bring the retro-future world of The Fantastic Four: First Steps to life. The two had collaborated on several projects together, such as Marvel's Wandavision. “I have a lot of faith in Matt Shakman,” says Jess. “I went into it …
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The Cinematography Podcast Episode 334: Jeff CutterCinematographer Jeff Cutter first collaborated with director Dan Trachtenberg on 10 Cloverfield Lane. Their successful partnership continued on the Predator prequel, Prey, which became Hulu's most-watched streaming premiere. Jeff and Trachtenberg found they had a strong bond over their mutual inter…
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“The people that we choose to love and the ones we choose to rely on and trust… Marissa and Jenny's relationship and that female friendship, that's what we watch happen in the series in real time. Whereas the marriages and the relationships that they're already in maybe aren't so perfect, the one we watch them choose is the one that's rewarding. It…
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The Cinematography Podcast Episode 333: Jeff CronenwethTwo-time Oscar-nominated cinematographer Jeff Cronenweth, ASC is known for visually defining modern classics like Fight Club and The Social Network. With TRON: ARES, he melded three distinct realities: the digital Grid, the gritty real world, and the retro feel of the grid in the original TRON.…
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“How do you render something interior filmically? How do you communicate the details of the lost child, of the amount of time of the stuck creative process, and even the exterior, or the externalization of the house as a kind of hellish thing that's barely staying together—literally flooding with waste—and that you can't afford? So those are the de…
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“And I think there's also just something about an unfettered or uncensored id that is so captivating. We all have that fantasy of doing exactly what we want with no consequences and sort of letting that go. I think when you see an athlete at the peak of their game, doing that embodied thing and living that dream, or when someone has actually done h…
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The Cinematography Podcast Episode 332: Dan LaustsenFor nearly 30 years, cinematographer Dan Laustsen, ASC, DFF and director Guillermo del Toro have produced one of cinema's most visually distinctive collaborations. Sharing a deep affinity for rich colors and dark themes, their partnership has yielded five films characterized by an unmistakable aes…
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“I can change my mind. I can reduce anger, hatred. Nothing to do with religion. All religions carry the message of love, loving kindness, and tolerance. With different views, there is a possibility to synthesize new ideas. If majority of the world leaders become female, world become safer. I feel that. Compassion is the key factor. Non-violence, co…
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“ Everybody wants happiness, joyfulness, peaceful world. Our 21st century will not be easy century. Fear, anger, hatred. In our mind we created distinctions. Different nationality, different color, different religion. Strong concept of “we” and “they”. Brothers and sisters of this small planet, we are same human beings. Meanwhile, global warming is…
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In this episode, cinematographer Peter Hadfield sits down with Jon Bregel for an honest conversation about what it means to build a sustainable creative life in film. It’s less about the gear and more about the human behind the lens: the habits, boundaries, and self-awareness required to last in an industry that rarely slows down. Enjoy! Life Off S…
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The Cinematography Podcast Episode 331: Tobias DatumMurderbot is the story of a security unit, part-human and part-machine, that has hacked its governing module to act in its own free will: mainly to be left alone to watch TV shows. Cinematographer Tobias Datum views the Apple TV+ series as a visual exploration of a synthetic being's journey toward…
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The Cinematography Podcast Episode 330: Pål Ulvik RoksethPål Ulvik Rokseth, the Norwegian cinematographer behind director Paul Greengrass's gripping drama The Lost Bus, faced a singular challenge: how to transform one of the deadliest wildfires in California history into a visceral, cinematic character. The film dramatizes the true story of bus dri…
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“So when we decided to do a documentary to follow Ai Weiwei, we knew, of course, it wouldn't be just a simple opera, and we knew he would bring his own very special and original vision. Because, of course, he is not an opera director. From his point of view, it's a challenge, but from another perspective, it’s probably an enrichment for the opera a…
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“Everything is Art. Everything is Politics. I think art competes with reality. And art will give you the last words.” –Ai Weiwei The renowned artist and activist Ai Weiwei has used sculpture, photography, documentaries, and large-scale installations to challenge authoritarian power for decades. But his project at the Rome Opera House, directing Puc…
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The Cinematography Podcast Episode 329: Ula Pontikos, BSCThe psychological thriller The Man in My Basement is about Charles Blakey (Corey Hawkins), a Black man in Sag Harbor, New York, who is down on his luck, unemployed, and facing foreclosure on his ancestral family home. In a desperate financial situation, Charles accepts a bizarre and extremely…
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The Cinematography Podcast Episode 328: Kira Kelly, ASC Cinematographer Kira Kelly, ASC, had a rare opportunity in the movie HIM: exploring the genres of horror and sports, which are not usually combined. She and director Justin Tipping focused their discussions on Chronic Traumatic Encephalopathy (CTE), specifically how football-related brain inju…
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The Cinematography Podcast Episode 327: Bryn Mooser and Paul TrilloBryn Mooser and Paul Trillo of Asteria on AI in filmmakingAsteria, an AI-driven film and animation studio, recently merged with Moonvalley, an AI research firm, to create generative video technology for filmmakers. Their AI model, Marey, is a visual intelligence model trained only o…
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The Cinematography Podcast Episode 326: Matthew Libatique, ASCCinematographer Matty Libatique, ASC, has had a productive year. Shortly after moving to New York, he began work on Spike Lee's film, Highest 2 Lowest. Immediately after wrapping that project, Matty prepped for Darren Aronofsky's Caught Stealing, and then, following a short break, he col…
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