UCD Scholarcast - Series 4: Reconceiving The British Isles: The Literature Of The Archipelago podcast

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Are you tired of releasing episodes week to week and getting no download growth? In this episode, I’m kicking off a brand-new series where I’ll be breaking down the exact strategies you need to expand your podcast audience—starting with the essential foundations. In this first episode, I’m covering: Why podcast growth matters (and why it’s NOT just about big numbers) The 3 core growth strategies: organic, collaborations, and paid growth What sustainable, realistic growth actually looks like Whether you’re just getting started or looking to scale, this series will give you the tools you need to grow your show strategically. Today's episode is brought to you by Mic Check Society , our community for podcasters who are looking to take their podcast from good to great. Come join us for educational trainings, a private member's only community, and monthly calls! Get $10 off per month with code PODCAST at micchecksociety.com . Clocking In with Haylee Gaffin is produced by Gaffin Creative , a podcast production company for creative entrepreneurs. Learn more about our services at Gaffincreative.com , plus you’ll also find resources, show notes, and more for the Clocking In Podcast. Time-stamps: Why podcast growth matters (2:09) Three pillars of podcast growth (3:39) Organic growth (3:52) Collaboration and borrowing audiences (4:31) Paid growth opportunities (5:11) What sustainable growth looks like (6:36) Connect with Haylee: instagram.com/hayleegaffin Gaffincreative.com micchecksociety.com Review the Transcript: https://share.descript.com/view/Plzue2YOIAh Hosted on Acast. See acast.com/privacy for more information.…

UCD Scholarcast - Series 4: Reconceiving the British Isles: The Literature of the Archipelago

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In his book, On the Shores of Politics, Jacques Ranciere argues that the Western Platonic project of utopian politics has been based upon 'an anti-maritime polemic'. The treacherous boundaries of the political are imagined as island shores, riverbanks, and abysses. Its enemies are the mutinous waves and the drunken sailor. 'In order to save politics', writes Ranciere, 'it must be pulled aground among the shepherds'. And yet, as Ranciere points out, this always entails the paradox that to found a new utopian island, safe from the perils of sailors and the sea, means crossing the sea once more.1 Margaret Cohen, in an article surveying the turn towards maritime themes in twenty-first century literary criticism, argues that literary scholars have historically fixed their gazes upon land, with an effort 'so spectacular that it might be called hydrophasia'. But that hydrophasia appears to be ebbing, and the new attention given to the sea, as what Hester Blum calls 'a proprioceptive point of inquiry', in Oceanic Studies, the New Atlantic Studies, and the Archipelagic paradigm gathering strength in British and Irish Studies, promises some degree of liberation from the terra firma overdeterminations of nationalism within literary studies. Series Editor: John Brannigan. Scholarcast theme music by: Padhraic Egan, Michael Hussey and Sharon Hussey. Development: John Matthews, Brian Kelly, Vincent Hoban, Niall Watts, UCD IT Services, Media Services

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#Scholarcast #Culture #Literature #English #DCU #Paige Reynolds #Frank Mcguinness #Eddie Holt #Anne Fogarty #Elaine Sisson #Sean Ryder #Riverdance #Ireland #Podcasting Education #Pj Mathews #UCD #Arts #Claire

UCD Scholarcast - Series 4: Reconceiving the British Isles: The Literature of the Archipelago

updated 14 years sitten

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Scholarcast 25: 'Dreaming of the Islands': The Poetry of the Shipping Forecast 35:32

14 years sitten35:32

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This lecture examines poems which make reference to the Shipping Forecast, as broadcast by BBC Radio Four, including poems by Seamus Heaney, Carol Ann Duffy, Sean Street, Andrew McNeillie, and Andrew Waterman. The aim of the lecture is to consider how both the radio broadcast and the poems it inspired conceptualise the cultural geography of the British Isles. If culture is, as Wendy James has argued, 'adverbial' rather than 'nominal', what kind of cultural geography of the Isles is practised in the poems which draw upon the forecast's daily and nightly ritual of naming the sea areas around Britain and Ireland? How might this maritime and archipelagic imagination of the Isles be related to current post-devolutionary attempts to reconceive the British Isles, both politically and intellectually? All of the poems revel in the forecast's litany of names such as Dogger, Fastnet, Lundy, Heligoland and Finisterre, for example, which do not evoke places so much as they imply ideas of untapped spatial and cultural possibility within the British Isles. Might there be a utopian dimension to some of these poetic visions of the archipelago? On the other hand, some of the poems juxtapose domestic and maritime settings, and dramatise a tension between the safe and comfortable houses or beds in which listeners enjoy the broadcasts, and the exoticised coastal margins of the Isles in which the forecasts may be merely the 'cold poetry of information'.…

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Scholarcast 24: England Versus English Literature 21:17

14 years sitten21:17

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This presentation looks at the relationship between England and the British discipline of English Literature, whose origin, it argues, owes much to the state unification of Britain between 1790 and 1815, particularly informed by an anti-French-Revolutionary Burkean philosophy which was defined by opposition to a written constitution, and by opposition to the national. It suggests that English Literature is stuck in this Burkean-organic-deep-conservative moment in terms of its methodology and its idea of a canonicity – but that the gradual crumbling of British empire after 1919, from the late 1950s, and then during devolution, has re-created England as a place able to overwhelm the British-imperial ideal space which was created for it. The presentation looks forward finally to a more open-ended and action-oriented, and less managerial and imperial, national literature of England.…

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Scholarcast 21: Scottish and Irish Second World War Poetry 37:41

15 years sitten37:41

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The relationship between the poetic and the national is crucial to how war poetry is perceived and interpreted. This essay looks at Second World War (and wartime) poetry from Scotland, Northern Ireland and the Republic of Ireland, and in particular at images of absence, cancellation, annulment and denial, to explore differences in each poetry between how the war and the role of the poet in the war are constructed.…

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Scholarcast 20: Alright, Jack? Conflict and Cohesion in Britain, 2005-10 37:41

15 years sitten37:41

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Nick Groom's study of the union, The Union Jack: The Story of the British Flag, was published in 2006. In this paper, he brings that story up to the present day by surveying the past five years of Union Jackery, from Gordon Brown's initial enthusiasm for new definitions of Britishness through ongoing redefinitions of the iconic image of the flag to the almost complete absence of issues of national identity in the debates preceding the 2010 UK General Election.…

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Scholarcast 19: Four Nations Feminism: Una Troy and Menna Gallie 36:08

15 years sitten36:08

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The emergence of four nations framework in literary and historical scholarship has helped us to arrive at a fuller understanding of the complex and overlapping histories of the islands of Britain and Ireland, while recent research into Wales and Ireland in particular has helped to make the map of our relations more fully comprehensible. But what is the relevance and meaning of the four nations context for womens writing in Ireland and Wales? What part does gender play in the interconnected histories of Wales and Ireland, and how are questions of sexual and artistic identity addressed within texts that imagine British-Irish history in gendered terms? This lecture identifies finds evidence of a feminist reimagining of archipelagic relationships by two writers: Munster novelist and playwright Una Troy, and Welsh writer Menna Gallie, born into a mining community on the western edge of the South Wales coalfields. Both Troy and Gallie wrote novels that deploy plots of female friendship to interrogate the relationship between gender and national affiliation in a four nations context.…

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Scholarcast 18: Dynamism, deixis and cultural positioning in some contemporary poetry 34:33

15 years sitten34:33

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Among the many divergent strands of Irish and Welsh cultural history, one commonality stands out: the profoundly self-conscious preoccupation with nationality and nationhood. For decades, political and cultural thinkers have troped this concern in the spatialized relation between centre and periphery. This paper finds poets working on both sides of the Irish Sea strategically critiquing the exhausted-seeming dialectic of the centre-periphery paradigm, in their anti-deterministic deployment of deixis, the term assigned by cognitive linguists to words which point or position. The few existing studies of deixis in poetry typically presume on its unvarying functional effect: to situate and anchor the voice(s) and environment(s) of the poetic text. Interestingly, poets like Catherine Walsh and Zoe Skoulding, writing out of Ireland and North Wales respectively, call that assumption into question. Both these poets use deictic signifiers in ways which deliberately, arguably self-protectively, fail to fix their texts in a range of potential cultural contexts.…

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Scholarcast 17: Professions of English diaspora 33:50

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In '"I have only one culture and it is not mine": Professions of English diaspora', Julian Wolfreys engages in acts of memory-work, to recover, through a focus on the voice as mnemotechnic and anamnesiac trace, the occluded and marginalized cultural differences of the regional English. Through a reflection on the work of the literary as archive and and the role folk song and folk culture play in the spectral maintenance of different Englishnesses over a thousand year period, Wolfreys argues that at a time when a national agenda for national identity is more urgently damaging than ever, turning to the embedded traces of different, pre-industrial pasts, offers modes of perception and representation that are based on equalities, rather than hierarchies of difference.…

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Scholarcast 16: Poems and Paradigms 33:20

15 years sitten33:20

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In Poems and Paradigms Edna Longley argues that the archipelagic paradigm is crucial to the criticism of modern poetry in English. Quoting John Kerrigan on the expansive, multi-levelled, polycentric aspects of the literary and cultural field, she discussed five poems which display their archipelagic co-ordinates on the surface: W.B. Yeats’s Under Saturn (1919), Philip Larkin’s The Importance of Elsewhere (1955), W.S. Graham’s Loch Thom (1977), Edward Thomas’s The Ash Grove (1916) and Louis MacNeice’s Carrick Revisited (1945). For Longley, the poems’ deeper aesthetic dynamics epitomise how influences move around within the archipelago, and she particularly emphasises serial transformations of Wordsworth and Yeats. She sees archipelagic and national paradigms as complementary, but criticises the way in which national poetic canons marginalise border cases’, saying: If a poem doesn’t fit the paradigm, change the paradigm. She goes on to suggest that, in the mid twentieth century, the aesthetic significance of Yeats’s mature poetry was most significantly absorbed by MacNeice and by English poets such as Auden, Larkin, Ted Hughes and Geoffrey Hill. She ends by proposing that all this throws light on the archipelagic sources of Northern Irish poetry.…

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