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Sonnet 85: My Tongue-Tied Muse in Manners Holds Her Still

29:13
 
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Manage episode 419018373 series 3415878
Sisällön tarjoaa Sebastian Michael. Sebastian Michael tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.

With Sonnet 85, William Shakespeare concludes the group-within-a-group of four sonnets that concern themselves with his own defence against the charge – evidently levied by his young lover – that his poetry is lacking in lavish expressions of praise and that 'imputes', as Shakespeare himself calls it in Sonnet 83, his silence, or, as it should more accurately be described, comparative silence, as a sin.

Here, Shakespeare rounds off his main argument, giving as the reason for this 'silence' simply decorum – good manners – and suggesting that while he can agree with all the praise heaped on the young man by other poets – for which here again we can assume he means principally one other poet – discretion demands that he remain silent and allow for his actions to express his genuine love for him better than words.

  continue reading

119 jaksoa

Artwork
iconJaa
 
Manage episode 419018373 series 3415878
Sisällön tarjoaa Sebastian Michael. Sebastian Michael tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.

With Sonnet 85, William Shakespeare concludes the group-within-a-group of four sonnets that concern themselves with his own defence against the charge – evidently levied by his young lover – that his poetry is lacking in lavish expressions of praise and that 'imputes', as Shakespeare himself calls it in Sonnet 83, his silence, or, as it should more accurately be described, comparative silence, as a sin.

Here, Shakespeare rounds off his main argument, giving as the reason for this 'silence' simply decorum – good manners – and suggesting that while he can agree with all the praise heaped on the young man by other poets – for which here again we can assume he means principally one other poet – discretion demands that he remain silent and allow for his actions to express his genuine love for him better than words.

  continue reading

119 jaksoa

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