SpotCo Presents julkinen
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Welcome to "SpotCo Presents"! After 20 years of Broadway advertising, we are so excited to share our stories and our passion with you in podcast form. About SpotCo: We are the world’s leading full-service entertainment advertising, marketing and branding agency. Based in New York and strategically aligned with Dewynters in London and Hamburg, we continue to re-define how entertainment brands break through in an ever-changing world. We work hard, laugh hard, and form lasting client partnershi ...
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Jeff Perri (Ad Operations Manager) and Lisa Lewis (Creative Director) host three-time Tony nominee Anna Louizos and three-time Tony winner Scott Pask to discuss the relationship between’s a show’s scenic design and graphic design. Peek into the processes that brought shows like The Pillowman, In The Heights, and Avenue Q to life, both on stage and …
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In this panel discussion, Brian Dratch (SpotCo Social Media Manager) discusses the intersection of Broadway, photography, and social media with Marc Franklin (Staff Photographer at Playbill) and Aviva Sokolow (Creator of ‘Humans of Broadway’). Stories include a surprise elevator ride with Lin-Manuel Miranda, finding the right light with Andrew Garf…
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SpotCo's Senior Creative Director Jimmy McNicholas loves re-writing the lyrics to show tunes in celebration of each new Broadway season, as he did in 2015 and 2016 for Something Rotten’s “Welcome To The Tony Race” and “It’s Tony Time” videos. For this episode, Jimmy's created an ode to the 2017-2018 season, set to a beloved tune from The Sound of M…
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Vice President of Partnerships, Kristen Rathbun, leads SpotCo co-founders Jim Edwards and Tom Greenwald on a trip down memory lane as they discuss their favorite stories from 20 years of Broadway advertising at SpotCo. Highlights include working meetings with Mel Brooks, writing scripts for Elaine Stritch, and bringing Lin Manuel-Miranda’s first Br…
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Copywriters Callie Goff and Kaitlin Mackenzie join forces with Senior Project Manager Natalie Budnyk to explore the wonderful world of musical adaptations. What can we learn from experiencing a familiar story in a new medium? What makes the best Broadway source material? Who’s fabulous enough to play Honey Boo Boo in the purely hypothetical but muc…
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