Parhaat Film Schooled Podcast Podcastit (2024)

1
Microbudget Filmmakers Are Not Okay (But Thanks for Asking) — Advice & Support from AFF Filmmakers 1:19:31

5d ago1:19:31

1:19:31

In this episode, host GG Hawkins hosts a roundtable discussion with microbudget filmmakers at the Austin Film Festival. They share their journeys of creating feature films under tight budgets and high personal stakes. Each filmmaker provides insight into the emotional, physical, and financial tolls of producing indie films while managing personal c…

1
How Indie Body Horror Comedy 'Booger' Director, Editor & Lead Meld Minds 59:00

12d ago59:00

59:00

Celebrating Halloween, this special episode dives into the indie horror-comedy Booger, an unconventional story that combines grief, body horror, and dark humor. Director Mary Dauterman, editor Kyle Moriarty, and lead actor Grace Glowicki share the creative and logistical challenges they faced bringing this unique film to life. From crafting a cat-h…

1
From Madagascar to Hollywood with Director Andrew Kightlinger; Plus, 'Don't Move' Directors’ Microbudget to Sam Raimi-Produced Journey 1:32:03

18d ago1:32:03

1:32:03

What does it take to go from indie filmmaking on a shoestring budget to working with legends like Sam Raimi? Andrew Kightlinger’s journey from Madagascar to Hollywood shows how personal experiences shape a filmmaker’s voice. Filmmakers Adam Schindler and Brian Netto share how they moved from microbudget horror films to collaborating with one of the…

1
Why Writer-Director Hallie Meyers-Shyer Wrote ‘Goodrich’ for Only Michael Keaton 1:00:54

22d ago1:00:54

1:00:54

In filmmaking, finding the right actor can make all the difference, and for Hallie Meyers-Shyer, Michael Keaton was the only choice for the lead role in Goodrich. This episode delves into the creative journey of writing and directing a deeply personal film, navigating the challenges of independent production, and discovering the heart of the story …

1
Navigating Austin Film Fest; DP Mihai Malaimare Jr.: From Film School to Francis Ford Coppola 1:05:25

25d ago1:05:25

1:05:25

The Austin Film Festival (AFF) stands out for its unique focus on writers and emerging filmmakers, providing a space for attendees to connect with industry professionals and discover creative collaborations. With its welcoming atmosphere, AFF offers an ideal environment for networking, learning, and exploring new opportunities. The conversation als…

1
Applying for Your O-1 Visa To Work in Film and TV 56:13

29d ago56:13

56:13

The O-1 visa, also known as the "artist visa," is a crucial step for filmmakers and creative professionals aiming to establish their careers in the U.S. Designed for individuals with extraordinary ability in their fields, the application process can be daunting. This episode offers insights into what it takes to qualify, how to strengthen your appl…

1
How to Scale Video Editing With an AI Storytelling Partner 47:43

1M ago47:43

47:43

As AI continues to reshape creative industries, video editing is undergoing a major transformation. Tools like Eddie AI are making the editing process faster, more efficient, and more accessible to filmmakers. By acting as a storytelling partner, AI can quickly generate rough cuts, find key moments in footage, and even suggest alternative storyline…

1
Bad Shabbos' Editor Talks Mental Health in Post & How Doc Informs Narrative 51:26

1M ago51:26

51:26

How do documentary films inform the way we approach narrative filmmaking? What does it mean to care for your mental health in an industry that thrives on constant creativity and long hours? How do documentary editors navigate the emotional toll of handling sensitive, often traumatic stories? In today’s episode, No Film School’s GG Hawkins speaks wi…

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Death of Pilot Season, Big Pivots & Max Lugavere's Deeply Personal, Long-Game Doc ‘Little Empty Boxes’ 1:26:11

1M ago1:26:11

1:26:11

As streaming reshapes the industry, pilot season is a thing of the past, leaving creatives to navigate constant demands and year-round pitching. How do filmmakers find balance when the lines between work and rest blur? And how can unexpected pivots lead to more meaningful projects? This episode explores staying resilient in a world without structur…

1
The State of Spec Scripts, ‘The Substance’ & Panama Filmmaking 1:37:29

2M ago1:37:29

1:37:29

Selling a script can feel like a distant dream, but the process is very much alive. From using platforms like The Black List to writing query letters and building personal connections, breaking into the industry is challenging but not impossible. Plus, we explore the rise of the Panamanian film industry, how it has evolved, and what it takes to mak…

1
Why Indie Film Distribution Is About To Go Punk Rock 1:22:08

2M ago1:22:08

1:22:08

Filmmaking isn’t just about making a great film—it’s about getting that film seen. With traditional distribution models crumbling, independent filmmakers are finding new ways to connect directly with audiences. This episode explores how the indie film landscape is shifting, with filmmakers taking control of their own distribution, marketing, and au…

1
Imagery, Fall Fest Sales & Director Niclas Larsson on His 'Mother, Couch!' Production Book 1:14:46

2M ago1:14:46

1:14:46

Imagery plays a crucial role in filmmaking, shaping how a story visually unfolds. This element must be integrated into the scriptwriting process, rather than being left for production. With fall film festivals in full swing, indie filmmakers are not only focused on storytelling but also on the challenges of navigating the competitive market and sel…

1
We’re All Halfway Through Writing a Short Film That We Will Direct 1:12:43

2M ago1:12:43

1:12:43

Actor Saoirse Ronan recently revealed that she is halfway through writing a short film that she plans to direct— and it feels so relatable. It reminds us that creative struggles are universal, no matter who you are. But being halfway through is not a failure but a part of the journey. Tune in to know what to do to reach the finish line. In today’s …

1
Why A LUT Will Save Your Movie (Kinda) 48:00

2M ago48:00

48:00

In this episode of the No Film School podcast, GG Hawkins interviews Ryan Thomas, the cinematographer, and Dan Edwards, the colorist, of the film 'I Really Love My Husband'. They discuss the process of color grading and the importance of early collaboration and communication between the director, DP, and colorist. They emphasize the need for budget…

1
How ‘Continue’ Director Nadine Crocker Turned Rejection Into Two Lionsgate Features 1:05:34

2M ago1:05:34

1:05:34

The world of filmmaking is full of challenges, from industry rejection to personal setbacks. Yet, for many independent filmmakers, these obstacles become opportunities for growth and perseverance. This episode explores how passion, persistence, and a refusal to give up can turn seemingly insurmountable odds into career-defining moments. Whether you…

1
Back-To-Back Microbudgets, Folk Filmmaking & the Micro-Budget Chain Reaction Feat. ‘Peak Season’ Directors 1:03:53

2M ago1:03:53

1:03:53

What happens when you make two micro-budget films back-to-back? For filmmakers Henry Loevner and Steven Kanter, it sparks what they’ve dubbed the “micro-budget chain reaction,” inspiring others in their community to pick up cameras and start shooting. As the industry consolidates and traditional distribution becomes harder to navigate, indie filmma…

1
Why Producer Ken Kao (Cuckoo, The Nice Guys, Mid90s) Wants More Mid-Budget Films 56:37

2M ago56:37

56:37

How can you break into the film industry? Especially if you're not in Hollywood or you come from a different profession, like law. Is thick skin essential? Can you balance business with creativity? Producer Ken Kao, co-founder of Waypoint Entertainment, shares insights on these topics, some of his experiences, and recent projects. Ken’s latest feat…

1
Crafting Tension: ‘Spermworld’ & ‘How To Blow Up a Pipeline’ Editor Explains 44:52

3M ago44:52

44:52

As an editor, should you specialize in documentary film or narrative film? Who says you can’t do both? Editor Daniel Garber proves it’s possible, sharing his unique approach to editing some of his most recent projects. He dives into the nuances of pacing, note-taking, and the art of knowing when not to cut. In today’s episode, No Film School’s GG H…

1
Rebuilding the Film Industry, Closure, Plus a $400 Doc Short 1:19:14

3M ago1:19:14

1:19:14

TV is oversaturated. California is too expensive to film in. Many audiences are underserved. It’s time we indie filmmakers rebuild the film industry on our terms. Plus, we bid farewell to a beloved host of the No Film School podcast. In today’s episode, No Film School’s Charles Haine, GG Hawkins, Jason Hellerman, and guest Janek Ambros discuss: Not…

1
'DÌDI (弟弟)’ Director Sean Wang & Editor Arielle Zakowski on Kid Talent, Short Turnarounds & Angst on the Big Screen 44:25

3M ago44:25

44:25

If you were a teen in the early 2000s, the film Dìdi will likely evoke a strong sense of nostalgia. Dìdi, which is said to embrace “the cringier side of adolescence,” premiered at the 2024 Sundance Film Festival where it won the Audience Award for the best U.S. Dramatic film. In today’s episode, No Film School’s GG Hawkins speaks with Sean Wang and…

1
Want To Make Worldbuilding Movies? ‘Borderlands’ EP Emmy Yu on Development, Production & Why VFX Should Be Onboard ASAP 57:59

3M ago57:59

57:59

Producers are involved in every step of creating a film, from development to post-production. The role of a producer is not only to keep everyone on the same page but also to remove barriers so the cast and crew can focus on the creative elements needed to create a fantastic film. In today’s episode, No Film School’s GG Hawkins speaks with Executiv…

1
Making a Movie Is Scary—This Is How We Manage Our Fear 35:53

3M ago35:53

35:53

On this bonus episode of the No Film School podcast, host GG Hawkins is joined by members of the team behind the movie she wrote and directed, 'I Really Love My Husband'. Cinematographer Ryan Thomas and Actors Madison Lanesey and Travis Quinton Young share their own fears and how they overcame them during the filmmaking process. The conversation hi…

1
‘War Game’ Directors Jesse Moss & Tony Gerber on Fearless Collaboration, Plus Comic-Con & Experimental Films 47:02

3M ago47:02

47:02

“Remain curious. Approach projects not with a notion of what kind of product you want to create in the market, but rather, what do you want to learn.” This advice, which comes from the directors of the documentary War Game, embodies the theme of today’s episode. - It’s okay to create unconventional films about unconventional topics. In today’s epis…

1
Breaking Down the Black List 1:02:01

4M ago1:02:01

1:02:01

The Blacklist started as an annual list of the best, unproduced screenplays in Hollywood. Nowadays, it’s an awesome online platform that nurtures and empowers screenwriters from around the world, by helping them showcase their scripts and grow within the industry. In today’s episode, No Film School’s GG Hawkins, Jason Hellerman, and host of the Bla…

1
Navigate All Facets of Comedy With 'The Office' & 'Abbott Elementary' Director Ken Whittingham 1:10:57

4M ago1:10:57

1:10:57

Ken Whittingham has directed shows we all know and love such as, The Office, 30 Rock, and Parks and Recreation. More recently, he has worked on the TV comedy, Abbot Elementary, which uses a mockumentary production style, similar to The Office. While Ken is an award-winning director with over 25 years of experience, he believes in the power of teamw…

1
How ‘I Saw the TV Glow’ Editor Balances Creative, Tech & Negotiates Higher Pay 43:24

4M ago43:24

43:24

As a beginning editor, working on low-budget projects is normal when you’re first starting. Once you get some experience under your belt, there comes a time when you have to start advocating for yourself so that you can get paid more. The “something is better than nothing mindset” can only serve you for so long, before you start to burn out. In tod…

1
Paramount — Skydance Merger; Scope, Scale & Dragon Battles 36:24

4M ago36:24

36:24

Paramount and Skydance are merging. How does that impact the people already involved in those companies and what does it mean for the rest of us? How did House of Dragon pull off the epic Battle of Rook’s Rest, featuring multiple, fighting dragons? Let’s find out together! In today’s episode, No Film School’s GG Hawkins and Jason Hellerman discuss:…

1
How To Write a Movie To Shoot (In Three Months) 24:50

4M ago24:50

24:50

On this special episode of the No Film School podcast, host GG Hawkins shares her experience of writing her first feature, 'I Really Love My Husband' on a small budget and arguably, an even smaller timeline. She discusses the constraints she faced, the collaborative writing process, and the challenges of receiving feedback. GG emphasizes the import…

1
The Burden of Unpaid Work, Ramping Up Your Reps & Roth IRAs; Plus ‘A Family Affair’ Screenwriter Carrie Solomon 1:13:28

4M ago1:13:28

1:13:28

At what point should you get paid for the work you do to develop a project? What types of conversations should you be having with your agent? How can you show up confidently for potential projects, even though you’re feeling utterly afraid? In today’s episode, No Film School’s GG Hawkins, Jason Hellerman, and guest Carrie Solomon discuss: Smart way…

1
Why This Doc Editor Let's Himself Get Lost 45:58

4M ago45:58

45:58

While documentary editor Lucas Harger loves “being lost in a sea of footage” when he first starts a project, his approach to editing is intentional and specific. From his initial meeting with the director to establishing the context of characters and theme, this editor knows what it takes to transform raw footage into powerful stories. In today’s e…

1
Don’t Sacrifice Creative: ‘A House is Not A Disco’ DP & Editor Share Tools on Staying Lean, Nimble 56:19

5M ago56:19

56:19

You don’t have to have high-end tech or complicated processes to create your film. You just need an open mind and a passion for the story you are telling, as we’ll learn from this week’s episode from the DP and editor of A House Is Not a Disco. In today’s episode, No Film School’s GG Hawkins speaks with cinematographer Eric Schleicher and editor Bl…

1
‘A Quiet Place: Day One’ Writer-Director Michael Sarnoski's Path from 'Pig' to Studio Franchise 41:52

5M ago41:52

41:52

Michael Sarnoski is the director and co-writer of A Quiet Place: Day One, the franchise's third film. The film follows Sam who is trapped in New York City during the early stages of an alien invasion. Michael shares that he was attracted to this film because of the opportunity to explore interesting character dynamics. In today’s episode, No Film S…

1
'Ren Faire' Dir Lance Oppenheim Plus Hard Comedy and Hard Questions 1:19:40

5M ago1:19:40

1:19:40

What’s the best approach to sharing your resume on LinkedIn? Is it okay to negotiate when you rent gear? What’s the difference between hard comedy and hard “R” comedy? How do you shoot a documentary and make it feel like a movie? In today’s episode, No Film School’s Charles Haine, GG Hawkins, Jason Hellerman, and guests Lance Oppenheim and Nate Hur…

1
An Editing Round Table Of Emmy Contenders Part II 46:46

5M ago46:46

46:46

Becoming an editor is more than just learning software and improving your skills. You must listen intently, speak up for yourself, and seek guidance and feedback from others with more experience. In today’s episode, No Film School’s Grant Vance speaks with editors J. Kathleen Gibson, Joaquin Elizondo, Shelly Westerman, and Payton Koch to discuss: T…

1
Jeff Nichols Discusses the Inspiration, Writing, and Directing of 'The Bikeriders' 31:18

5M ago31:18

31:18

Jeff Nichols is the director of the film, The Bikeriders, a story about a 1960s motorcycle club that turns into a menacing gang, known as the Vandals. The film is adapted from Danny Lyon’s book of the same title. The complex nature of The Bikeriders, leaves us asking, “Why are we attracted to dangerous things?” In today’s episode, No Film School’s …

1
An Editing Round Table Of Emmy Contenders! 57:12

5M ago57:12

57:12

Maura Corey is the picture editor of Gen V, a satire about young adult superheroes. Walter Schulz is the visual effects supervisor behind The Curse, a story about a cursed couple who are part of a reality show. These two creatives share how they got their start, their work process, and what it takes to build a successful career in film. In today’s …

1
Your Freelance Healthcare Questions Answered 59:57

5M ago59:57

59:57

Just how important are character introductions in film? What are the most important steps you need to take before sending out your script? How do you pay for healthcare as a freelance filmmaker? In today’s episode, No Film School’s Charles Haine and Jason Hellerman discuss: Why writers need to improve their character introductions Examples of movie…

1
Choosing Your Next Project & Immediate Next Steps 43:14

5M ago43:14

43:14

There's no better feeling than completing a project you’ve been working on for, what feels like, forever. On one hand, you’re relieved but you're also anxious to figure out what to work on next. How do you decide what your new project will be, and what is the most efficient strategy for getting started on it? In today’s episode, No Film School’s GG…

1
How to Get Your Short Out In the World & Write to Your Darkest Instincts 1:32:47

5M ago1:32:47

1:32:47

In life, we can’t please everyone. There will be people who “get us” and others who simply don’t. It’s the same when you’re a filmmaker. Your work won’t vibe with everyone who sees it, and that’s totally okay! It’s time to face your fears, give it your all, and create those projects that reveal your darkest instincts. In today’s episode, No Film Sc…

1
Break Up With Your Temp Score & Other Placeholders; Plus, Blackmagic Won NAB 48:59

6M ago48:59

48:59

If you’re a director who has become too attached to the temp score, you’re essentially falling in love with something you can’t have. While it may feel impossible to let go, it is possible. Let’s look at some ways you can break up with your temp score and move on. In today’s episode, No Film School’s Charles Haine, GG Hawkins, and Jason Hellerman d…

1
How To Cut Like an Anthropologist from 'Scrambled’ & ‘Alpha’ Editor Sandra Granovsky 39:11

6M ago39:11

39:11

Editing is more than just assembling footage. According to editor Sandra Granovsky, the whole editing process requires an interest and understanding of human nature. In today’s episode, No Film School’s GG Hawkins speaks with Sandra Torres Granovsky to discuss: How studying anthropology affected her approach to editing Following your inner voice wh…

1
The Pause in Pipeline Programs & What It Means for You 29:56

6M ago29:56

29:56

Is it ethical to encourage people to pursue a career in film when there are such high levels of unemployment in the industry? The Art Directors Guild certainly doesn’t think so which has led the union to pause their annual training program this year. In today’s episode, No Film School’s Charles Haine, GG Hawkins, and Jason Hellerman discuss: The AD…

1
‘Prom Dates’ Writer & Director on Reviving the Teen Sex Comedy 35:14

6M ago35:14

35:14

Prom Dates, written by D.J. Mausner and directed by Kim Nguyen, is a comedy that follows two best friends who are hell-bent on having the perfect senior prom, despite the fact they broke up with their dates only 24 hours before the big night. This raunchy comedy reminds us that while romantic love may be fleeting, true friendship can survive any ad…

1
Film Fests: The Merits and Scams; Plus, Film Communities Outside of the Bubbles with Amy Dotson 55:32

6M ago55:32

55:32

What film festivals are worth submitting your projects to? Which festivals are legitimate and which ones are scams out for your money? Is it possible to find like-minded creatives to collaborate with, outside of places like L.A. and New York? In today’s episode, No Film School’s Charles Haine, GG Hawkins, Jason Hellerman, and guest Amy Dotson discu…

1
How To Get a Short Film Into Sundance – and Turn It Into a Feature 45:32

6M ago45:32

45:32

“There’s never been a better time to make shorts or watch shorts,” says Mike Plante, the senior short film programmer at Sundance Film Festival. Mike, who has been at Sundance for over 20 years, shares his thoughts on the future of shorts and what his team looks for in the selection process. In today’s episode, No Film School’s Ryan Koo speaks with…

1
‘Shōgun’ DPs on Lenses, Looks & How ‘The Descent’ Brought Them Together 1:03:20

6M ago1:03:20

1:03:20

Long-time friends and colleagues, Christopher Ross and Sam McCurdy, are two of the cinematographers of FX’s mini-series, Shōgun. Filming this series was an incredible experience full of lessons in Japanese culture, lenses, and shooting with cranes. In today’s episode, No Film School’s GG Hawkins and special guest, cinematographer Ryan Thomas, speak…

1
Writing the Unfilmable & Managing Your Career When SH*T Hits the Fan 36:48

6M ago36:48

36:48

Writing a screenplay is like following a cookie recipe, it’s closer to magic than science. You don’t have to follow screenwriting “rules” to create an amazing story. There’s something else you don’t have to do in your career. When serious problems arise in your personal life, you don’t have to keep working at your typical pace. It’s okay to ask for…

1
How ‘Challengers’ Screenwriter Justin Kuritzkes Aces Character, Tension and Stakes 29:44

7M ago29:44

29:44

Justin Kuritzkes is the screenwriter for the film, Challengers, starring Zendaya, Mike Faist, and Josh O’Connor. The story revolves around tennis pros who are caught in a love triangle. It’s not just about the game of tennis, but about the game of love and power. Let’s dive into Justin’s process of writing such a damn good movie! In today’s episode…

1
Packaging and the Death of Naked Specs 33:09

7M ago33:09

33:09

The days of selling naked specs are over. It’s now the filmmaker's job to understand how to package their projects. While many were opposed to packaging in the past, there are effective ways to approach the process that will leave you feeling empowered. In today’s episode, No Film School’s Charles Haine, GG Hawkins, and Jason Hellerman discuss: The…

1
Live from NAB 2024: Blackmagic's CEO on the URSA Cine 12K & Future of AI 59:26

7M ago59:26

59:26

We had the chance to speak to Grant Petty of Blackmagic Design at this year’s NAB conference. It was as much of a conversation about technology and innovation as it was a conversation about human nature. In today’s episode, No Film School’s Jourdan Aldredge speaks with Blackmagic CEO Grant Petty to discuss: Developing the URSA Cine with a post-prod…

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