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Sisällön tarjoaa Ben Smith. Ben Smith tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.
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189 - Ben Brody

1:19:04
 
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Manage episode 343747941 series 2425327
Sisällön tarjoaa Ben Smith. Ben Smith tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.

Ben Brody is an independent photographer, educator, and picture editor working on long-form projects related to the American wars in Iraq and Afghanistan, and their aftermath. He is the Director of Photography for The GroundTruth Project and Report for America, and a co-founder of Mass Books.

His first book, Attention Servicemember, was shortlisted for the 2019 Aperture - Paris Photo First Book Award and is now in its second edition.

Ben holds an MFA from Hartford Art School's International Low-Residency Photography program. He resides in western Massachusetts.

On episode 189, Ben discusses, among other things:

  • How he got into photography.
  • How 9/11 influenced his decision to join the army.
  • The mandate he was given by his superiors.
  • Reappropriating the reappropriated.
  • How the media’s portrayal of war becomes a ‘feedback loop’.
  • Vernacular vs. ‘professional’ images of war, as exemplified by Abu Ghraib.
  • Why he went to Afghanistan as a civilian photographer.
  • Circumventing the restrictions of the embed program.
  • His new book 300M and how it came about.

Referenced:

  • Kurt Vonnergut, Slaughterhouse Five
  • Ed Clark
  • Joe Sacco
  • Shabana Basij-Rasikh

Website | Instagram | Books | 300m (video)

“I felt like there was a space in culture to make a photobook that was narrated by a totally ordinary soldier, who was not some scary CAG operator or CIA spook. And also by a pretty ordinary photographer, not like a famous photographer with a storied history who’s really invested in a cult of personal celebrity. When I made Attention Service Member and now 300M, which is almost like an epilogue to Service Member, I had the luxury of having probably seventy five photobooks already about the global war on terror that had come out before me. So I was able to analyse those books and assess, ‘what hasn’t been done before?’”

  • Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.
  • For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.

  continue reading

76 jaksoa

Artwork
iconJaa
 
Manage episode 343747941 series 2425327
Sisällön tarjoaa Ben Smith. Ben Smith tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.

Ben Brody is an independent photographer, educator, and picture editor working on long-form projects related to the American wars in Iraq and Afghanistan, and their aftermath. He is the Director of Photography for The GroundTruth Project and Report for America, and a co-founder of Mass Books.

His first book, Attention Servicemember, was shortlisted for the 2019 Aperture - Paris Photo First Book Award and is now in its second edition.

Ben holds an MFA from Hartford Art School's International Low-Residency Photography program. He resides in western Massachusetts.

On episode 189, Ben discusses, among other things:

  • How he got into photography.
  • How 9/11 influenced his decision to join the army.
  • The mandate he was given by his superiors.
  • Reappropriating the reappropriated.
  • How the media’s portrayal of war becomes a ‘feedback loop’.
  • Vernacular vs. ‘professional’ images of war, as exemplified by Abu Ghraib.
  • Why he went to Afghanistan as a civilian photographer.
  • Circumventing the restrictions of the embed program.
  • His new book 300M and how it came about.

Referenced:

  • Kurt Vonnergut, Slaughterhouse Five
  • Ed Clark
  • Joe Sacco
  • Shabana Basij-Rasikh

Website | Instagram | Books | 300m (video)

“I felt like there was a space in culture to make a photobook that was narrated by a totally ordinary soldier, who was not some scary CAG operator or CIA spook. And also by a pretty ordinary photographer, not like a famous photographer with a storied history who’s really invested in a cult of personal celebrity. When I made Attention Service Member and now 300M, which is almost like an epilogue to Service Member, I had the luxury of having probably seventy five photobooks already about the global war on terror that had come out before me. So I was able to analyse those books and assess, ‘what hasn’t been done before?’”

  • Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.
  • For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.

  continue reading

76 jaksoa

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