Artwork

Sisällön tarjoaa Slate Podcasts. Slate Podcasts tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.
Player FM - Podcast-sovellus
Siirry offline-tilaan Player FM avulla!

Still Billy Joel to Me Part 1

1:01:52
 
Jaa
 

Manage episode 337681912 series 1586432
Sisällön tarjoaa Slate Podcasts. Slate Podcasts tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.

So, sure—Billy Joel’s first Top 40 hit, way back in 1974, was “Piano Man,” and the nickname stuck. But for a guy who became famous sitting behind 88 keys, few of his biggest hits are really piano songs. In fact, on all three of his No. 1 hits on the Billboard Hot 100, keyboards are not the primary instrument.

The truth is, Joel isn’t the Piano Man, he’s the pastiche man. He has openly admitted to borrowing genre tropes, vocal styles, and even specific song hooks from his Baby Boom-era heroes, from Ray Charles to the Beatles to the Supremes. He’s been a jazzy crooner, a saloon balladeer, an anthem rocker, even a pseudo-punk. And on his most hit-packed album, he literally tried on a different song mode on every single—and was rewarded for it. This month, Hit Parade breaks down the uncanny success of pop magpie Billy Joel, the guy who would try anything for a hit: the next phase, new wave, dance craze, any ways.

Podcast production by Benjamin Frisch and Kevin Bendis

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

161 jaksoa

Artwork
iconJaa
 
Manage episode 337681912 series 1586432
Sisällön tarjoaa Slate Podcasts. Slate Podcasts tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.

So, sure—Billy Joel’s first Top 40 hit, way back in 1974, was “Piano Man,” and the nickname stuck. But for a guy who became famous sitting behind 88 keys, few of his biggest hits are really piano songs. In fact, on all three of his No. 1 hits on the Billboard Hot 100, keyboards are not the primary instrument.

The truth is, Joel isn’t the Piano Man, he’s the pastiche man. He has openly admitted to borrowing genre tropes, vocal styles, and even specific song hooks from his Baby Boom-era heroes, from Ray Charles to the Beatles to the Supremes. He’s been a jazzy crooner, a saloon balladeer, an anthem rocker, even a pseudo-punk. And on his most hit-packed album, he literally tried on a different song mode on every single—and was rewarded for it. This month, Hit Parade breaks down the uncanny success of pop magpie Billy Joel, the guy who would try anything for a hit: the next phase, new wave, dance craze, any ways.

Podcast production by Benjamin Frisch and Kevin Bendis

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

161 jaksoa

Kaikki jaksot

×
 
Loading …

Tervetuloa Player FM:n!

Player FM skannaa verkkoa löytääkseen korkealaatuisia podcasteja, joista voit nauttia juuri nyt. Se on paras podcast-sovellus ja toimii Androidilla, iPhonela, ja verkossa. Rekisteröidy sykronoidaksesi tilaukset laitteiden välillä.

 

Pikakäyttöopas