In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Sisällön tarjoaa House of Crouse and Richard Crouse. House of Crouse and Richard Crouse tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.
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BARBARA ADHIYA + ANNE ALLAN
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Manage episode 438783470 series 1145579
Sisällön tarjoaa House of Crouse and Richard Crouse. House of Crouse and Richard Crouse tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.
On the Saturday September 7, 2024 edition of The Richard Crouse Show we meet Barbara Adhiya. In her 20-year career as an editor with newswires CP/AP and Reuters, she says she never lost her hope and faith in humanity. Her new book as an editor, “Hope by Terry Fox,” is a testament that sentiment. Through over 50 interviews with people throughout Terry’s life — ranging from his siblings, nurses, and coaches to volunteers during the Marathon of Hope —Barbara discovers how Terry was able to run a marathon a day. Through their stories, passages from Terry’s marathon journal, and over 200 photos and documents, Hope shows that with enough resilience, determination, humility, and support, ordinary people can do impossible things. Then, we’ll meet Anne Allan, a theatre director, a producer, artistic director, and educator. Her career began as a classical dancer, training on scholarship at the Royal Ballet School in London, England. After becoming ballet mistress for London City Ballet, she was invited to become the private dance teacher to Her Royal Highness, Diana, Princess of Wales and did so for 9 years. She writes about that experience in her new book “Dancing with Diana.”
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578 jaksoa
MP3•Jakson koti
Manage episode 438783470 series 1145579
Sisällön tarjoaa House of Crouse and Richard Crouse. House of Crouse and Richard Crouse tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.
On the Saturday September 7, 2024 edition of The Richard Crouse Show we meet Barbara Adhiya. In her 20-year career as an editor with newswires CP/AP and Reuters, she says she never lost her hope and faith in humanity. Her new book as an editor, “Hope by Terry Fox,” is a testament that sentiment. Through over 50 interviews with people throughout Terry’s life — ranging from his siblings, nurses, and coaches to volunteers during the Marathon of Hope —Barbara discovers how Terry was able to run a marathon a day. Through their stories, passages from Terry’s marathon journal, and over 200 photos and documents, Hope shows that with enough resilience, determination, humility, and support, ordinary people can do impossible things. Then, we’ll meet Anne Allan, a theatre director, a producer, artistic director, and educator. Her career began as a classical dancer, training on scholarship at the Royal Ballet School in London, England. After becoming ballet mistress for London City Ballet, she was invited to become the private dance teacher to Her Royal Highness, Diana, Princess of Wales and did so for 9 years. She writes about that experience in her new book “Dancing with Diana.”
…
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