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Sisällön tarjoaa Humor and the Abject and Sean J Patrick Carney. Humor and the Abject and Sean J Patrick Carney tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.
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105: Beth Campbell

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Manage episode 231303104 series 1466354
Sisällön tarjoaa Humor and the Abject and Sean J Patrick Carney. Humor and the Abject and Sean J Patrick Carney tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.
It’s my big birthday week, babies. To celebrate, I caught up with an old friend, artist Beth Campbell from New York. She was visiting Austin this past week to unveil a new public art project as part of the Landmarks collection at the University of Texas. I got to see Beth do a great conversation with philosopher Timothy Morton, who also wrote a nice essay about her work available via the link below. During our own conversation, Beth and I discussed the arc of her practice over the last 20 years, which has won her a Guggenheim Fellowship and a Pollack-Krasner Grant, and has seen her work presented in venues including the Whitney, the Drawing Room in London, MoMA PS1, and tons of other places. We talk mirrors, audience expectations, the difference between installation and sculpture, emotional time travel, and a whole lot more. The outro music is “Mythmaster” by Lightning Bolt. Read Timothy Morton’s essay, and learn more about Beth’s Landmarks project, here: https://landmarks.utexas.edu/artwork/spontaneous-futures-possible-past
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Artwork

105: Beth Campbell

Humor and the Abject Podcast

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iconJaa
 
Manage episode 231303104 series 1466354
Sisällön tarjoaa Humor and the Abject and Sean J Patrick Carney. Humor and the Abject and Sean J Patrick Carney tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.
It’s my big birthday week, babies. To celebrate, I caught up with an old friend, artist Beth Campbell from New York. She was visiting Austin this past week to unveil a new public art project as part of the Landmarks collection at the University of Texas. I got to see Beth do a great conversation with philosopher Timothy Morton, who also wrote a nice essay about her work available via the link below. During our own conversation, Beth and I discussed the arc of her practice over the last 20 years, which has won her a Guggenheim Fellowship and a Pollack-Krasner Grant, and has seen her work presented in venues including the Whitney, the Drawing Room in London, MoMA PS1, and tons of other places. We talk mirrors, audience expectations, the difference between installation and sculpture, emotional time travel, and a whole lot more. The outro music is “Mythmaster” by Lightning Bolt. Read Timothy Morton’s essay, and learn more about Beth’s Landmarks project, here: https://landmarks.utexas.edu/artwork/spontaneous-futures-possible-past
  continue reading

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