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152: #152 | Meet-Cutes and Cute Hoors - Ireland and the Hollywood Rom-Com
MP3•Jakson koti
Manage episode 277369633 series 1929533
Sisällön tarjoaa HeadStuff Podcasts. HeadStuff Podcasts tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.
The romantic comedy, as we understand it, is a Hollywood form as specifically American as the Western, especially in how it shapes and exports America’s image of itself.
Although romantic comedies were the favoured form of some of Hollywood’s most acclaimed writer-directors (like Frank Capra and Billy Wilder) in the mid 20th century, the genre has often been seen as lower prestige than those genres marketed at men. This was especially true in the first two decades of the 21st century when romantic comedies were at their commercial peak and Ireland had a disproportionately high amount of leading men at Hollywood’s top table.
In today’s episode, we consider how Ireland and Irishness feature in this most American of storytelling traditions. How is Ireland treated as a setting in love stories, and how much has that changed since The Quiet Man? What do Irish characters in stories set elsewhere represent? Are they protagonists, or a “manic pixie dream people”? And what of our own romantic comedies - are our film stars too serious to make them?
Darach and Peadar are joined in this episode by Caroline Siede (@CarolineSiede), who writes the “When Romance Met Comedy”series for the AV Club and is a world authority on the genre.
---
Support Motherfocloir on Patreon: https://www.patreon.com/darach
Get Kirsten Shiel art prints here: https://www.inprnt.com/gallery/kirstenshiel/
---
Contact the show:
whatsapp - +353894784713
twitter - @motherfocloir and @theirishfor
email - motherfocloir@headstuff.org
---
Want to record your own podcast? Check out our studios at https://thepodcaststudios.ie
…
continue reading
Although romantic comedies were the favoured form of some of Hollywood’s most acclaimed writer-directors (like Frank Capra and Billy Wilder) in the mid 20th century, the genre has often been seen as lower prestige than those genres marketed at men. This was especially true in the first two decades of the 21st century when romantic comedies were at their commercial peak and Ireland had a disproportionately high amount of leading men at Hollywood’s top table.
In today’s episode, we consider how Ireland and Irishness feature in this most American of storytelling traditions. How is Ireland treated as a setting in love stories, and how much has that changed since The Quiet Man? What do Irish characters in stories set elsewhere represent? Are they protagonists, or a “manic pixie dream people”? And what of our own romantic comedies - are our film stars too serious to make them?
Darach and Peadar are joined in this episode by Caroline Siede (@CarolineSiede), who writes the “When Romance Met Comedy”series for the AV Club and is a world authority on the genre.
---
Support Motherfocloir on Patreon: https://www.patreon.com/darach
Get Kirsten Shiel art prints here: https://www.inprnt.com/gallery/kirstenshiel/
---
Contact the show:
whatsapp - +353894784713
twitter - @motherfocloir and @theirishfor
email - motherfocloir@headstuff.org
---
Want to record your own podcast? Check out our studios at https://thepodcaststudios.ie
Learn more about your ad choices. Visit megaphone.fm/adchoices
196 jaksoa
MP3•Jakson koti
Manage episode 277369633 series 1929533
Sisällön tarjoaa HeadStuff Podcasts. HeadStuff Podcasts tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.
The romantic comedy, as we understand it, is a Hollywood form as specifically American as the Western, especially in how it shapes and exports America’s image of itself.
Although romantic comedies were the favoured form of some of Hollywood’s most acclaimed writer-directors (like Frank Capra and Billy Wilder) in the mid 20th century, the genre has often been seen as lower prestige than those genres marketed at men. This was especially true in the first two decades of the 21st century when romantic comedies were at their commercial peak and Ireland had a disproportionately high amount of leading men at Hollywood’s top table.
In today’s episode, we consider how Ireland and Irishness feature in this most American of storytelling traditions. How is Ireland treated as a setting in love stories, and how much has that changed since The Quiet Man? What do Irish characters in stories set elsewhere represent? Are they protagonists, or a “manic pixie dream people”? And what of our own romantic comedies - are our film stars too serious to make them?
Darach and Peadar are joined in this episode by Caroline Siede (@CarolineSiede), who writes the “When Romance Met Comedy”series for the AV Club and is a world authority on the genre.
---
Support Motherfocloir on Patreon: https://www.patreon.com/darach
Get Kirsten Shiel art prints here: https://www.inprnt.com/gallery/kirstenshiel/
---
Contact the show:
whatsapp - +353894784713
twitter - @motherfocloir and @theirishfor
email - motherfocloir@headstuff.org
---
Want to record your own podcast? Check out our studios at https://thepodcaststudios.ie
…
continue reading
Although romantic comedies were the favoured form of some of Hollywood’s most acclaimed writer-directors (like Frank Capra and Billy Wilder) in the mid 20th century, the genre has often been seen as lower prestige than those genres marketed at men. This was especially true in the first two decades of the 21st century when romantic comedies were at their commercial peak and Ireland had a disproportionately high amount of leading men at Hollywood’s top table.
In today’s episode, we consider how Ireland and Irishness feature in this most American of storytelling traditions. How is Ireland treated as a setting in love stories, and how much has that changed since The Quiet Man? What do Irish characters in stories set elsewhere represent? Are they protagonists, or a “manic pixie dream people”? And what of our own romantic comedies - are our film stars too serious to make them?
Darach and Peadar are joined in this episode by Caroline Siede (@CarolineSiede), who writes the “When Romance Met Comedy”series for the AV Club and is a world authority on the genre.
---
Support Motherfocloir on Patreon: https://www.patreon.com/darach
Get Kirsten Shiel art prints here: https://www.inprnt.com/gallery/kirstenshiel/
---
Contact the show:
whatsapp - +353894784713
twitter - @motherfocloir and @theirishfor
email - motherfocloir@headstuff.org
---
Want to record your own podcast? Check out our studios at https://thepodcaststudios.ie
Learn more about your ad choices. Visit megaphone.fm/adchoices
196 jaksoa
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