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Sisällön tarjoaa BBC and BBC Radio 4. BBC and BBC Radio 4 tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.
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Medusa

27:46
 
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Manage episode 292813344 series 2626437
Sisällön tarjoaa BBC and BBC Radio 4. BBC and BBC Radio 4 tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.

"Rock star classicist" and reformed stand-up Natalie Haynes is obsessed with the ancient world. In these series she explores (historical and mythological) lives from ancient Rome and Greece that still have resonance today. They are hilarious and tragic, mystifying, revelatory. And they always tell us more about ourselves now than seems possible of stories from a couple of thousand years ago.

Today Natalie tells of Medusa, she of the snaky locks and stony glare. Medusa is truly terrifying, but she wasn't always a monster. She was once the most beautiful of the Gorgon sisters, turned into this hideous version of herself by the goddess Athene, after being 'seduced' by Poseidon. Which may make her - literally - the original monstered victim.

Natalie is joined by Professor Edith Hall, who says that Medusa is not just a victim or a monster. She's a beloved sister and mother (to winged horse Pegasus and hero Chrysaor). Her lithifying gaze gives her something in common with Midas but there's a difference in how we are invited to view them: we fear her and pity him.

Illustrator Chris Riddell draws Medusa as he talks to Natalie, contemplating how she managed her serpentine hair (a hairdresser's nightmare, presumably) and whether some kind of super-sunglasses might help out with the problem of turning everything she looks at into stone.

Producer, Mary Ward-Lowery

  continue reading

43 jaksoa

Artwork

Medusa

Natalie Haynes Stands Up for the Classics

232 subscribers

published

iconJaa
 
Manage episode 292813344 series 2626437
Sisällön tarjoaa BBC and BBC Radio 4. BBC and BBC Radio 4 tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.

"Rock star classicist" and reformed stand-up Natalie Haynes is obsessed with the ancient world. In these series she explores (historical and mythological) lives from ancient Rome and Greece that still have resonance today. They are hilarious and tragic, mystifying, revelatory. And they always tell us more about ourselves now than seems possible of stories from a couple of thousand years ago.

Today Natalie tells of Medusa, she of the snaky locks and stony glare. Medusa is truly terrifying, but she wasn't always a monster. She was once the most beautiful of the Gorgon sisters, turned into this hideous version of herself by the goddess Athene, after being 'seduced' by Poseidon. Which may make her - literally - the original monstered victim.

Natalie is joined by Professor Edith Hall, who says that Medusa is not just a victim or a monster. She's a beloved sister and mother (to winged horse Pegasus and hero Chrysaor). Her lithifying gaze gives her something in common with Midas but there's a difference in how we are invited to view them: we fear her and pity him.

Illustrator Chris Riddell draws Medusa as he talks to Natalie, contemplating how she managed her serpentine hair (a hairdresser's nightmare, presumably) and whether some kind of super-sunglasses might help out with the problem of turning everything she looks at into stone.

Producer, Mary Ward-Lowery

  continue reading

43 jaksoa

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