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Ying Qian, "Revolutionary Becomings: Documentary Media in Twentieth-Century China" (Columbia UP, 2023)

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Welcome to another episode of New Books in Chinese Studies. Today, I will be talking to Columbia University professor Ying Qian about her new book, Revolutionary Becomings: Documentary Media in Twentieth-Century China (Columbia UP, 2023).

The volume enriches our understanding of media’s role in China’s revolutionary history by turning to documentary. Qian guides readers through early documentary practice, left- and right-wing Republican documentary, and documentary as it functioned in the socialist and early postsocialist periods. In reference to socialist documentary, she writes, “As the vanguard of cinema, documentary in the Mao era meant, in principle, to facilitate the dialectical relationship between the masses and the party, not only to aid in their mutual constitution, but also to facilitate a collective formation of knowledge and priorities to direct the unfolding of the revolution” (249). In our interview, we will discover how crucial this understudied genre has been in the 20th century and learn how the mutually constitutive dialectic between documentary form and revolution worked in practice.

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Manage episode 429302042 series 2421483
Sisällön tarjoaa Marshall Poe. Marshall Poe tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.

Welcome to another episode of New Books in Chinese Studies. Today, I will be talking to Columbia University professor Ying Qian about her new book, Revolutionary Becomings: Documentary Media in Twentieth-Century China (Columbia UP, 2023).

The volume enriches our understanding of media’s role in China’s revolutionary history by turning to documentary. Qian guides readers through early documentary practice, left- and right-wing Republican documentary, and documentary as it functioned in the socialist and early postsocialist periods. In reference to socialist documentary, she writes, “As the vanguard of cinema, documentary in the Mao era meant, in principle, to facilitate the dialectical relationship between the masses and the party, not only to aid in their mutual constitution, but also to facilitate a collective formation of knowledge and priorities to direct the unfolding of the revolution” (249). In our interview, we will discover how crucial this understudied genre has been in the 20th century and learn how the mutually constitutive dialectic between documentary form and revolution worked in practice.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

  continue reading

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