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Sisällön tarjoaa Podcast Historias with Alphecca Perpetua and Studio Historias. Podcast Historias with Alphecca Perpetua and Studio Historias tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.
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EXCERPT: Friars, Matriarchs, Tres de Abril, and the Virgin Mary | Podcast Historias

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Manage episode 329976176 series 2546986
Sisällön tarjoaa Podcast Historias with Alphecca Perpetua and Studio Historias. Podcast Historias with Alphecca Perpetua and Studio Historias tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.
"Friars, Matriarchs, Tres de Abril, and the Virgin Mary" BLAST FROM THE PAST (feat. Amiel "Cortz" Cortes) An Excerpt: Season 1, Episode 02, Rated-PG13 "Lay Back" | Music by Brian Withycombe SPONSORED BY: Studio Historias, Broadcasting & Multimedia Productions https://show.studiohistorias.com AMIEL "Cortz" CORTES is a Cebu-based Historical Researcher & Consultant. He graduated with a degree in AB History at the University of San Carlos, Philippines in 2015, and worked as a Program Officer for Research at the Ramon Aboitiz Foundation where he contributed as a Principal Researcher, Indexer, Editorial Assistant, and Field Researcher for various local and regional events, exhibits, academic publications, and projects. THE VIRGIN MARY SYMBOLISM. In 1986, it was believed that the Lady of Fátima—the Catholic title of Mary that's based on the Marian apparitions of three shepherd children at Fátima, Portugal in 1917—"miraculously mediated" a peaceful revolution against former Philippine president Ferdinand Marcos Sr, where demonstrators largely consisted of Roman Catholic nuns who offered flowers to soldiers while praying the rosary. Two years later, a "Holy Ground" marker known as the EDSA Shrine was built as an act of thanksgiving to the Virgin Mary. In 2019, the National Commission for Culture and the Arts of the Philippines declared the church as an "Important Cultural Property". PHILIPPINES, A MATRIARCHAL NATION. Stemming from pre-colonial social structures, the Philippines already allowed equal importance among kinships, where women inherited property, commanded as religious leaders, composed the military forces, and led villages in the absence of a male heir. Today, Filipino women still contribute to the decision-making process within families, businesses, and the country. The Philippines currently ranks 7th in the Gender-Equality List for Southeast and East Asia in the 2022 SDG Gender Index by Equal Measures 2030, with an overall score of 69.8 just after Malaysia and Thailand. THE MANILA GALLEON. For two and a half centuries, Spanish trading ships sailed between Acapulco and Manila that brought cargoes of luxury items such as tobacco, spices, and porcelain to the Americas. During the Spanish empire, priests and missionaries were mobile. And also aboard the galleons were deportees, prisoners, exiles, and among other undesirables from the colonies; making a diverse variety of crewmen traveling between Spain, Peru, and the Philippines. THE BATTLE OF TRES DE ABRIL. In March 1898, Filipino revolutionary leader Lt.-Gen. Pantaleón "León Kilat" Villegas agreed to revolt against the Spaniards with the Cebuano Katipuneros (KKK); plotted on April 10th, an Easter Sunday. After the Spaniards caught wind of the scheduled rebellion, armed with bolos (machete) and some guns, 6,000 revolutionists fought a week earlier on Palm Sunday, April 3rd, and won; now known as the 'Battle of Tres de Abril'. DESCRIPTION: Podcast Historias with @alpheccaperpetua • Presented/Hosted by Alphecca Perpetua • Arranged, Mixed, and Mastered by Alphecca Perpetua • Produced by Alphecca Perpetua & Brent Kohnan • Distributed by Studio Historias • https://about.studiohistorias.com • Cebu, Philippines 6000 • All Rights Reserved © 2022 DISCLAIMER: The assumptions, views, opinions, and insinuations made by the host and guests do not reflect those of the show, the management, and the companies affiliated. A few information in this podcast episode may contain errors or inaccuracies; we do not make warranty as to the correctness or reliability of the content. If you think you own the rights to any of the material used and wish for the material not be used, please contact Studio Historias via email at askstudiohistorias@gmail.com.
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Artwork
iconJaa
 
Manage episode 329976176 series 2546986
Sisällön tarjoaa Podcast Historias with Alphecca Perpetua and Studio Historias. Podcast Historias with Alphecca Perpetua and Studio Historias tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.
"Friars, Matriarchs, Tres de Abril, and the Virgin Mary" BLAST FROM THE PAST (feat. Amiel "Cortz" Cortes) An Excerpt: Season 1, Episode 02, Rated-PG13 "Lay Back" | Music by Brian Withycombe SPONSORED BY: Studio Historias, Broadcasting & Multimedia Productions https://show.studiohistorias.com AMIEL "Cortz" CORTES is a Cebu-based Historical Researcher & Consultant. He graduated with a degree in AB History at the University of San Carlos, Philippines in 2015, and worked as a Program Officer for Research at the Ramon Aboitiz Foundation where he contributed as a Principal Researcher, Indexer, Editorial Assistant, and Field Researcher for various local and regional events, exhibits, academic publications, and projects. THE VIRGIN MARY SYMBOLISM. In 1986, it was believed that the Lady of Fátima—the Catholic title of Mary that's based on the Marian apparitions of three shepherd children at Fátima, Portugal in 1917—"miraculously mediated" a peaceful revolution against former Philippine president Ferdinand Marcos Sr, where demonstrators largely consisted of Roman Catholic nuns who offered flowers to soldiers while praying the rosary. Two years later, a "Holy Ground" marker known as the EDSA Shrine was built as an act of thanksgiving to the Virgin Mary. In 2019, the National Commission for Culture and the Arts of the Philippines declared the church as an "Important Cultural Property". PHILIPPINES, A MATRIARCHAL NATION. Stemming from pre-colonial social structures, the Philippines already allowed equal importance among kinships, where women inherited property, commanded as religious leaders, composed the military forces, and led villages in the absence of a male heir. Today, Filipino women still contribute to the decision-making process within families, businesses, and the country. The Philippines currently ranks 7th in the Gender-Equality List for Southeast and East Asia in the 2022 SDG Gender Index by Equal Measures 2030, with an overall score of 69.8 just after Malaysia and Thailand. THE MANILA GALLEON. For two and a half centuries, Spanish trading ships sailed between Acapulco and Manila that brought cargoes of luxury items such as tobacco, spices, and porcelain to the Americas. During the Spanish empire, priests and missionaries were mobile. And also aboard the galleons were deportees, prisoners, exiles, and among other undesirables from the colonies; making a diverse variety of crewmen traveling between Spain, Peru, and the Philippines. THE BATTLE OF TRES DE ABRIL. In March 1898, Filipino revolutionary leader Lt.-Gen. Pantaleón "León Kilat" Villegas agreed to revolt against the Spaniards with the Cebuano Katipuneros (KKK); plotted on April 10th, an Easter Sunday. After the Spaniards caught wind of the scheduled rebellion, armed with bolos (machete) and some guns, 6,000 revolutionists fought a week earlier on Palm Sunday, April 3rd, and won; now known as the 'Battle of Tres de Abril'. DESCRIPTION: Podcast Historias with @alpheccaperpetua • Presented/Hosted by Alphecca Perpetua • Arranged, Mixed, and Mastered by Alphecca Perpetua • Produced by Alphecca Perpetua & Brent Kohnan • Distributed by Studio Historias • https://about.studiohistorias.com • Cebu, Philippines 6000 • All Rights Reserved © 2022 DISCLAIMER: The assumptions, views, opinions, and insinuations made by the host and guests do not reflect those of the show, the management, and the companies affiliated. A few information in this podcast episode may contain errors or inaccuracies; we do not make warranty as to the correctness or reliability of the content. If you think you own the rights to any of the material used and wish for the material not be used, please contact Studio Historias via email at askstudiohistorias@gmail.com.
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