Fix It In Prep
Manage episode 206265376 series 1238451
FIX IT IN...PREP? THE VALUE OF POST PRODUCTION ARTISTS EARLY IN THE PROCESS..
sponsored by Nice Shoes, Filmlight, and SONY
Most producers have a strong concept of what they want their project to look like, but they don’t always consider editorial, visual effects, music or color grading during the pre-production phase. Bringing post artists into the conversation at the onset of a project leads to enhancing imagery rather than "fixing” in post. In this session, producers will speak directly about the nature of their collaboration with their post team, and share how the early reliance on their skills and experience expanded the possibilities for their projects. Incorporated during prep or on set, your post artists have all kinds of ways to get the most out your of budgets and schedules, as well as that final cut.
Speakers
Alison Beckett
Post Production Supervisor
Kill The Messenger, The Hundred-Foot Journey, Bessie
Brad Carpenter
Co- Producer
Vinyl, Boardwalk Empire, Nurse Jackie
Chris Ryan
Colorist at Nice Shoes
Peter Saraf
Producer / Chair of the PGA East
About Ray, Safety Not Guaranteed, Little Miss Sunshine
Dan Schrecker
Senior VFX Supervisor, Psyop Film and Television
Hail Cesar, Black Swan
Tim Squyres
Editor
Billy Lynn’s Long Halftime Walk, Life of Pi, Unbroken, Lust/Caution,
Moderator
Jennifer Lane
Post Production Supervisor; / Secretary of the Post New York Alliance
Billy Lynn’s Long Halftime Walk, Into the Woods, The Bourne Legacy, Revolutionary Road
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