An investigative podcast hosted by world-renowned literary critic and publishing insider Bethanne Patrick. Book bans are on the rise across America. With the rise of social media, book publishers are losing their power as the industry gatekeepers. More and more celebrities and influencers are publishing books with ghostwriters. Writing communities are splintering because members are at cross purposes about their mission. An all-new season of the investigative podcast Missing Pages premieres ...
…
continue reading
Sisällön tarjoaa Potterversity: A Potter Studies Podcast and Potterversity with MuggleNet.com. Potterversity: A Potter Studies Podcast and Potterversity with MuggleNet.com tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.
Player FM - Podcast-sovellus
Siirry offline-tilaan Player FM avulla!
Siirry offline-tilaan Player FM avulla!
Potterversity Episode 51: Music and Fantasy in the Harry Potter Franchise
MP3•Jakson koti
Manage episode 418026914 series 1531290
Sisällön tarjoaa Potterversity: A Potter Studies Podcast and Potterversity with MuggleNet.com. Potterversity: A Potter Studies Podcast and Potterversity with MuggleNet.com tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.
Get swept away by the cinematic sounds of the Wizarding World.
We're joined by musicologist Dr. Daniel White (University of Huddersfield), who has a new book about the music of two major fantasy franchises, Harry Potter and Lord of the Rings. He talks about the musical foundation laid by John Williams in Harry Potter and the Sorcerer's Stone and how subsequent composers built off his work both within the Harry Potter series and continuing into the Fantastic Beasts films.
Dan applies music theory to unpack what makes "Hedwig's Theme" so iconic and how it contributes to worldbuilding and evokes nostalgia. We look at the tone shifts between films and the recurring musical motifs that change throughout the series. Dan tells us about his methodology for analyzing film music, including ethnographic research interviewing audiences about their reactions and conversations with composers and music supervisors for video games, Harry Potter and the Cursed Child, and the Wizarding World of Harry Potter theme parks.
The theme parks offer an interesting blend of diegetic (in-universe) music, like Celestina Warbeck and the Hogwarts frog choir, and non-diegetic background music from the soundtracks. Fans have of course made their own Potter-inspired music in the form of wizard rock. While the music of Lord of the Rings is more epic in scale, covering different regions, races, and communities, Harry Potter tends to focus more on individual characters, their relationships, and more specific locations. Both share a theme of home and have become homes for audiences, inspiring the subtitle of Dan's book, The Music of Harry Potter and the Lord of the Rings: Sounds of Home in the Fantasy Franchise.
We're joined by musicologist Dr. Daniel White (University of Huddersfield), who has a new book about the music of two major fantasy franchises, Harry Potter and Lord of the Rings. He talks about the musical foundation laid by John Williams in Harry Potter and the Sorcerer's Stone and how subsequent composers built off his work both within the Harry Potter series and continuing into the Fantastic Beasts films.
Dan applies music theory to unpack what makes "Hedwig's Theme" so iconic and how it contributes to worldbuilding and evokes nostalgia. We look at the tone shifts between films and the recurring musical motifs that change throughout the series. Dan tells us about his methodology for analyzing film music, including ethnographic research interviewing audiences about their reactions and conversations with composers and music supervisors for video games, Harry Potter and the Cursed Child, and the Wizarding World of Harry Potter theme parks.
The theme parks offer an interesting blend of diegetic (in-universe) music, like Celestina Warbeck and the Hogwarts frog choir, and non-diegetic background music from the soundtracks. Fans have of course made their own Potter-inspired music in the form of wizard rock. While the music of Lord of the Rings is more epic in scale, covering different regions, races, and communities, Harry Potter tends to focus more on individual characters, their relationships, and more specific locations. Both share a theme of home and have become homes for audiences, inspiring the subtitle of Dan's book, The Music of Harry Potter and the Lord of the Rings: Sounds of Home in the Fantasy Franchise.
98 jaksoa
MP3•Jakson koti
Manage episode 418026914 series 1531290
Sisällön tarjoaa Potterversity: A Potter Studies Podcast and Potterversity with MuggleNet.com. Potterversity: A Potter Studies Podcast and Potterversity with MuggleNet.com tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.
Get swept away by the cinematic sounds of the Wizarding World.
We're joined by musicologist Dr. Daniel White (University of Huddersfield), who has a new book about the music of two major fantasy franchises, Harry Potter and Lord of the Rings. He talks about the musical foundation laid by John Williams in Harry Potter and the Sorcerer's Stone and how subsequent composers built off his work both within the Harry Potter series and continuing into the Fantastic Beasts films.
Dan applies music theory to unpack what makes "Hedwig's Theme" so iconic and how it contributes to worldbuilding and evokes nostalgia. We look at the tone shifts between films and the recurring musical motifs that change throughout the series. Dan tells us about his methodology for analyzing film music, including ethnographic research interviewing audiences about their reactions and conversations with composers and music supervisors for video games, Harry Potter and the Cursed Child, and the Wizarding World of Harry Potter theme parks.
The theme parks offer an interesting blend of diegetic (in-universe) music, like Celestina Warbeck and the Hogwarts frog choir, and non-diegetic background music from the soundtracks. Fans have of course made their own Potter-inspired music in the form of wizard rock. While the music of Lord of the Rings is more epic in scale, covering different regions, races, and communities, Harry Potter tends to focus more on individual characters, their relationships, and more specific locations. Both share a theme of home and have become homes for audiences, inspiring the subtitle of Dan's book, The Music of Harry Potter and the Lord of the Rings: Sounds of Home in the Fantasy Franchise.
We're joined by musicologist Dr. Daniel White (University of Huddersfield), who has a new book about the music of two major fantasy franchises, Harry Potter and Lord of the Rings. He talks about the musical foundation laid by John Williams in Harry Potter and the Sorcerer's Stone and how subsequent composers built off his work both within the Harry Potter series and continuing into the Fantastic Beasts films.
Dan applies music theory to unpack what makes "Hedwig's Theme" so iconic and how it contributes to worldbuilding and evokes nostalgia. We look at the tone shifts between films and the recurring musical motifs that change throughout the series. Dan tells us about his methodology for analyzing film music, including ethnographic research interviewing audiences about their reactions and conversations with composers and music supervisors for video games, Harry Potter and the Cursed Child, and the Wizarding World of Harry Potter theme parks.
The theme parks offer an interesting blend of diegetic (in-universe) music, like Celestina Warbeck and the Hogwarts frog choir, and non-diegetic background music from the soundtracks. Fans have of course made their own Potter-inspired music in the form of wizard rock. While the music of Lord of the Rings is more epic in scale, covering different regions, races, and communities, Harry Potter tends to focus more on individual characters, their relationships, and more specific locations. Both share a theme of home and have become homes for audiences, inspiring the subtitle of Dan's book, The Music of Harry Potter and the Lord of the Rings: Sounds of Home in the Fantasy Franchise.
98 jaksoa
Kaikki jaksot
×Tervetuloa Player FM:n!
Player FM skannaa verkkoa löytääkseen korkealaatuisia podcasteja, joista voit nauttia juuri nyt. Se on paras podcast-sovellus ja toimii Androidilla, iPhonela, ja verkossa. Rekisteröidy sykronoidaksesi tilaukset laitteiden välillä.