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New World (2013) and Hunt for the Wilderpeople (2016)

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Manage episode 438721480 series 3359062
Sisällön tarjoaa Film Trace. Film Trace tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.

In episode two of our Manhunt series, we explore two international films. From South Korea, New World (2013), a topsy-turvy crime drama. From New Zealand, the playful and whimsical, Hunt for the Wilderpeople (2016).

Crime dramas have been a staple of cinema since its inception. We find comfort in categorizing characters as good or evil. It provides order in a convoluted world. Actual morality is often murky and challenging to decipher. New World offers a crystal clear reflection of how the world truly operates, rather than a saccharine imagined one. Deep Loyalty and petty betrayal are commonplace, and the lines between good and evil blur, like a spinning merry-go-round.

Taika Waititi's distinctive style is evident throughout Hunt for the Wilderpeople (2016). This is both a pleasure and a frustration. While the story of two unlikely companions going on the run in the Kiwi woods is delightful, the narrative often seems to lose its way despite the simplicity of the story. The plot path is clearly laid out, but Waititi can't resist taking detours down every zany spur, leaving little room for emotional resistance and refinement. Nevertheless, it remains an entertaining joy ride with a quaint conclusion.

  continue reading

112 jaksoa

Artwork
iconJaa
 
Manage episode 438721480 series 3359062
Sisällön tarjoaa Film Trace. Film Trace tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.

In episode two of our Manhunt series, we explore two international films. From South Korea, New World (2013), a topsy-turvy crime drama. From New Zealand, the playful and whimsical, Hunt for the Wilderpeople (2016).

Crime dramas have been a staple of cinema since its inception. We find comfort in categorizing characters as good or evil. It provides order in a convoluted world. Actual morality is often murky and challenging to decipher. New World offers a crystal clear reflection of how the world truly operates, rather than a saccharine imagined one. Deep Loyalty and petty betrayal are commonplace, and the lines between good and evil blur, like a spinning merry-go-round.

Taika Waititi's distinctive style is evident throughout Hunt for the Wilderpeople (2016). This is both a pleasure and a frustration. While the story of two unlikely companions going on the run in the Kiwi woods is delightful, the narrative often seems to lose its way despite the simplicity of the story. The plot path is clearly laid out, but Waititi can't resist taking detours down every zany spur, leaving little room for emotional resistance and refinement. Nevertheless, it remains an entertaining joy ride with a quaint conclusion.

  continue reading

112 jaksoa

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