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Sisällön tarjoaa Kourtney Smith & Elyse Sharp, Kourtney Smith, and Elyse Sharp. Kourtney Smith & Elyse Sharp, Kourtney Smith, and Elyse Sharp tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.
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Much Ado About Nothing: Shakespeare and The Book of the Courtier

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Manage episode 439304336 series 2972767
Sisällön tarjoaa Kourtney Smith & Elyse Sharp, Kourtney Smith, and Elyse Sharp. Kourtney Smith & Elyse Sharp, Kourtney Smith, and Elyse Sharp tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.

In today's episode, we are exploring how Shakespeare was influenced by The Book of the Courtier by Baldassare Castiglione as he was writing Much Ado About Nothing. We'll discuss how close reading of both Shakespeare's play and Castiglione's Renaissance etiquette book uncovers layers of intertextuality and references to The Courtier in Shakespeare's writing.

First, we'll discuss some parallels between The Courtier and Much Ado About Nothing. Then we will dig deeper into Book 3 of The Courtier and how its messages on joking, jesting, and laughter can be read in Much Ado About Nothing. We will also briefly discuss how Hero and Beatrice reflect The Courtier's ideal for Renaissance women.

Finally, we will closely examine the courtiers in Much Ado About Nothing and how the characters of Benedick, Claudio, Don Pedro, and Don John can be read through the lens of good (and bad) courtier behavior as outlined in The Courtier. We will also discuss which of these courtiers comes the closest to Castiglione's ideal courtier, and what early modern English behaviors Shakespeare may have been commenting on through this play.

Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp.

Music is "Neverending Minute" by Sounds Like Sander.

Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com

You can support the podcast by becoming a patron at patreon.com/shakespeareanyone, sending us a virtual tip via our tipjar, or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod.

Works referenced:

Collington, Philip D. “‘Stuffed with All Honourable Virtues’: ‘Much Ado about Nothing’ and ‘The Book of the Courtier.’” Studies in Philology, vol. 103, no. 3, 2006, pp. 281–312, http://www.jstor.org/stable/4174852.

Ghose, Indira. “Courtliness and Laughter.” Shakespeare and Laughter: A Cultural History, Manchester University Press, 2008, pp. 15–51. JSTOR, http://www.jstor.org/stable/j.ctt155jd06.5. Accessed 30 Aug. 2024.

  continue reading

103 jaksoa

Artwork
iconJaa
 
Manage episode 439304336 series 2972767
Sisällön tarjoaa Kourtney Smith & Elyse Sharp, Kourtney Smith, and Elyse Sharp. Kourtney Smith & Elyse Sharp, Kourtney Smith, and Elyse Sharp tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.

In today's episode, we are exploring how Shakespeare was influenced by The Book of the Courtier by Baldassare Castiglione as he was writing Much Ado About Nothing. We'll discuss how close reading of both Shakespeare's play and Castiglione's Renaissance etiquette book uncovers layers of intertextuality and references to The Courtier in Shakespeare's writing.

First, we'll discuss some parallels between The Courtier and Much Ado About Nothing. Then we will dig deeper into Book 3 of The Courtier and how its messages on joking, jesting, and laughter can be read in Much Ado About Nothing. We will also briefly discuss how Hero and Beatrice reflect The Courtier's ideal for Renaissance women.

Finally, we will closely examine the courtiers in Much Ado About Nothing and how the characters of Benedick, Claudio, Don Pedro, and Don John can be read through the lens of good (and bad) courtier behavior as outlined in The Courtier. We will also discuss which of these courtiers comes the closest to Castiglione's ideal courtier, and what early modern English behaviors Shakespeare may have been commenting on through this play.

Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp.

Music is "Neverending Minute" by Sounds Like Sander.

Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com

You can support the podcast by becoming a patron at patreon.com/shakespeareanyone, sending us a virtual tip via our tipjar, or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod.

Works referenced:

Collington, Philip D. “‘Stuffed with All Honourable Virtues’: ‘Much Ado about Nothing’ and ‘The Book of the Courtier.’” Studies in Philology, vol. 103, no. 3, 2006, pp. 281–312, http://www.jstor.org/stable/4174852.

Ghose, Indira. “Courtliness and Laughter.” Shakespeare and Laughter: A Cultural History, Manchester University Press, 2008, pp. 15–51. JSTOR, http://www.jstor.org/stable/j.ctt155jd06.5. Accessed 30 Aug. 2024.

  continue reading

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