Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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Sisällön tarjoaa Nathan Cole and Akiko Tarumoto, Nathan Cole, and Akiko Tarumoto. Nathan Cole and Akiko Tarumoto, Nathan Cole, and Akiko Tarumoto tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.
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004: Audition advice for our younger selves
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Manage episode 436569246 series 2359277
Sisällön tarjoaa Nathan Cole and Akiko Tarumoto, Nathan Cole, and Akiko Tarumoto. Nathan Cole and Akiko Tarumoto, Nathan Cole, and Akiko Tarumoto tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.
Everything would have been so easy if we’d just known then what we know now! In this episode, we revisit what auditioning was like back when we started, and what’s changed for us as we’ve both taken, and judged, so many orchestra auditions. Nathan likes to compare auditions to blind dates: you’ve only got a minute to show what kind of player you are, and all the details you’ve worked so hard to refine need to add up to a beguiling package. Akiko talks about how it’s all about playing to your strengths while deftly concealing your weaknesses. Some of those weaknesses may be with you all the time, while others may only show up under pressure. You have to be savvy enough to know what’s coming when the spotlight’s on you. We discuss what immediately signals to us that someone’s a great player, or not-so-great. Then we each finish with an audition blunder from our early days. Nathan’s involves the cadenza to the Brahms violin concerto, while Akiko’s has her playing for a friend the night before the big day.
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69 jaksoa
MP3•Jakson koti
Manage episode 436569246 series 2359277
Sisällön tarjoaa Nathan Cole and Akiko Tarumoto, Nathan Cole, and Akiko Tarumoto. Nathan Cole and Akiko Tarumoto, Nathan Cole, and Akiko Tarumoto tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.
Everything would have been so easy if we’d just known then what we know now! In this episode, we revisit what auditioning was like back when we started, and what’s changed for us as we’ve both taken, and judged, so many orchestra auditions. Nathan likes to compare auditions to blind dates: you’ve only got a minute to show what kind of player you are, and all the details you’ve worked so hard to refine need to add up to a beguiling package. Akiko talks about how it’s all about playing to your strengths while deftly concealing your weaknesses. Some of those weaknesses may be with you all the time, while others may only show up under pressure. You have to be savvy enough to know what’s coming when the spotlight’s on you. We discuss what immediately signals to us that someone’s a great player, or not-so-great. Then we each finish with an audition blunder from our early days. Nathan’s involves the cadenza to the Brahms violin concerto, while Akiko’s has her playing for a friend the night before the big day.
…
continue reading
69 jaksoa
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