Managing an Orchestra and a Theater with Anne Catherine Murray

The Conductor's Podcast

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Lisätty three vuotta sitten

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1
Andrianna Natsoulas: Don't Cage Our Oceans 40:50

6 päivää sitten40:50

Toista Myöhemmin

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Tykätty

40:50

“That's taxpayer’s money that is going to support research and development and pilot projects to develop a food system that is based on environmental destruction and greed and disregard for animals, fish, and any of the other marine mammals that might be around it.” - Andrianna Natsoulas Andrianna Natsoulas is the campaign director for Don't Cage Our Oceans, an organization that exists to keep our oceans free from industrial fish farms. Offshore finfish farming is the mass cultivation of finfish in marine waters, in underwater or floating net pens, pods, and cages. Offshore finfish farms are factory farms that harm public health, the environment, and local communities and economies that rely on the ocean and its resources. Don’t Cage Our Oceans are a coalition of diverse organizations working together to stop the development of offshore finfish farming in the United States through federal law, policies, and coalition building. And, although it is not yet happening, right now the US Administration and Congress are promoting this kind of farming, which would be nothing short of disastrous for the oceans, the planet and the people and animals who live here. dontcageouroceans.org…

3 vuotta sitten 48:23

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In today's episode, I interviewed the Executive Director of the August Symphony (GA), Anne Catherine Murray on how she manages an orchestra. She’ll share her wisdom on the management side of a performing arts organization and a theater, discuss the challenges of managing personnel, how she was able to find her purpose, and how she navigated problems brought by the pandemic
Anne Catherine Murray joined the Augusta Symphony in 2015. During this time, she has overseen two organizational restructures, the international search for a music director, and the completion of the $23M capital campaign and construction project to restore the historic Miller Theater and the adjacent Knox Music Institute. At the outset of the pandemic, the Augusta Symphony took over management of the Miller Theater, and Murray now oversees both companies.

Prior to joining the Symphony, Murray served as Vice President and Project Manager of Flywheel, LLC, where she assisted in the adaptive use of several historic Augusta buildings, including Enterprise Mill, Sutherland Mill, andWilliam Robinson SchoolHOUSE.
She is a graduate of the first class of women at Washington and Lee University and earned a Masters in Historic Preservation from the University of Georgia. Before moving to Augusta, she was the Revolving Fund Director for the Georgia Trust for Historic Preservation. She has served on the boards of Historic Augusta, Inc., Safe Homes of Augusta, Inc., the Vestry of the Church of the Good Shepherd, and currently serves on the board of Turn Back The Block and the Metro Augusta Chamber of Commerce.

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Managing an Orchestra and a Theater with Anne Catherine Murray

The Conductor's Podcast

published 3 vuotta sitten

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All About Chaowen Ting

87 jaksoa

#Chaowen Ting #Music Business #Classical Music #Conducting Training #Music Education #Orchestra #Opera #Choir #New Music #Music #Theater #Arts #Podcasting Education #Musicians #Conductors #Bands

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1
How I Use Recordings for Score Study 20:19

15 weeks sitten20:19

20:19

Do you also use recordings to help your score study process? Today I am going to share a few things that I do with recordings! 1. See the many interpretational possibilities regarding tempi, balance, or conducting patterns. 2. Check what I might have missed in your score study (dynamics, chord change, important lines, or bringing out a different layer) 3. Memory check when memorizing the score 4. Know what might need rehearsals 5. Help visualize the score 6. The choreography of conducting gestures, 7. Bowings consultance All About Chaowen Ting…

1
Ask Me Anything with Band Conductors 1:08:18

17 weeks sitten1:08:18

1:08:18

Live recording from an AMA (Ask Me Anything) Panel Discussion on May 20, 2024. The session was moderated by my colleague Dr. Janet Kim, and our panelists were: Shelley Axelson , Director of Bands, Radford University Julia Baumanis , Associate Director of Bands, Rutgers University Tina Dimeglio , Associate Director of Bands, University of South Florida If you missed my interview with Julia Baumanis in Season 1 Episode 31 where we spoke about her journey as a band director, check out: https://theconductorspodcast.com/podcast/31/ All About Chaowen Ting…

1
Kevin Fitzgerald 1:19:41

19 weeks sitten1:19:41

1:19:41

Catching up with returning guest Kevin Fitzgerald :) Make sure you check out or revisit my interview with Kevin in Season 2 when we talked about audition preparation and navigating the business: https://theconductorspodcast.com/podcast/s2e7/ AND https://theconductorspodcast.com/podcast/s2e8/ All About Chaowen Ting…

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Key Preperations for Competitions (and As a Conductor in General) 17:31

21 weeks sitten17:31

17:31

Five key preparation factors for competitions (and as a good conductor in general!) 1. Know the score inside out 2. Have (form and be very firm) your own opinion about the music 3. Have enough techniques to deliver your ideas 4. Keep a high energy and engage musicians at all times 5. Develop problem solving skills - rehearsal techniques, interruptions from the jury, being asked to do a piece you are less good at All About Chaowen Ting…

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Ask Me Anything with Choral Conductors 58:56

23 weeks sitten58:56

58:56

Live recording from an AMA (Ask Me Anything) Panel Discussion on May 6, 2024. The session was moderated by my colleague Dr. Janet Kim, and our panelists were: Arianne Abela , Director of the Choral Program, Amherst College Maria A. Ellis , the Girl Conductor Amanda Hanzlik , Director of Choirs, E.O. Smith High School; President - Elect, ACDA Eastern Region Liana Salinas , Artistic Director, Miami Children's Chorus If you missed my interview with Maria A. Ellis in Season 1 Episode 2 where I interviewed someone for the very first time - she is so inspiring!! Check it out: https://theconductorspodcast.com/podcast/2/ All About Chaowen Ting…

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Anna Sułkowska-Migoń 1:19:41

25 weeks sitten1:19:41

1:19:41

Very happy to welcome Anna Sułkowska-Migoń, the winner of the 2022 La Maestra Competition in Paris, where I was a quarter-finalist. Anna and I talked about her experience after the competition, her growth and challenges, and what she has learned in her journey. This interview was recorded in May 2024 when Anna was expecting her daughter and we wish her and her family a wonderful start of this new chapter. Learn more about Anna: https://annasulkowskamigon.com/ All About Chaowen Ting…

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Ask Me Anything with Orchestra Conductors - Education / Youth 1:19:43

27 weeks sitten1:19:43

1:19:43

Live recording from an AMA (Ask Me Anything) Panel Discussion on May 3, 2024. The panelists of the sessions were: Juhi Bensal , composer, conductor, and educator Joanna Drimatis , Music Director and Chief Conductor, Beecroft Orchestra Katie LaBrie , composer, conductor, and educator All About Chaowen Ting…

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Ask Me Anything with Opera Conductors 1:28:59

31 weeks sitten1:28:59

1:28:59

Live recording from an AMA (Ask Me Anything) Panel Discussion on April 28, 2024. The panelists of the sessions were: Marta Gardolinska , Music Director, Opera national de Lorraine Stephanie Rhodes Russell , Founder, Women’s Artistic Leadership Initiative; Guest Conductor, Wolf Trap Opera, Cincinnati Opera, Washington National Opera Michelle Rofrano , Artistic Director, PROTESTRA; Guest Conductor, Madison Opera, City Lyric Opera, Curtis Institute of Music If you missed my interview with Michelle Rofrano in Season 1 Episode 3 where we discussed programming for social causes, make sure to revisit it: https://theconductorspodcast.com/podcast/3/ All About Chaowen Ting…

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My Thoughts on Conducting Competitions 27:43

33 weeks sitten27:43

27:43

I've always thought that I wasn't a good competition type of conductor, until I realized that I actually convinced myself that I wasn't good in a certain area so I didn't need to continue improving myself. From 2022, I entered La Maestra Competition in Paris, won the 3rd Prize at Kussewitzky Competition 2023 and 2nd Prize at the Mendelssohn Competition 2024. In this season's episodes, I will be sharing more what I've learned in my journey. But before that, my thoughts on conducting competitions - they are just one of the many events that are going to shape and form your conducting journey. 1. Be super clear why you are doing it, and list your learning objectvies 2. Focus on things we can control 3. Know what you need to be successful PS. My interview with Lina Gonzalez Granados on organizing your score, time, and journey in Season 1 Episode 38: https://theconductorspodcast.com/podcast/organize-your-score-time-and-journey-with-lina-gonzalez-granados/ All About Chaowen Ting…

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Andrea Brown 56:41

35 weeks sitten56:41

56:41

I finally had the pleasure to meet and speak with Dr. Andrea Brown, Associate Director of Bands at the University of Maryland. Previously served as director of orchestra and assistant director of bands at the Georgia Institute of Technology in Atlanta and assistant director of bands at the University of Michigan, we spoke about her experience as a conductor and the founder of “Women Rising to the Podium.” All About Chaowen Ting…

1
Ask Me Anything with Orchestra Conductors 1:12:03

37 weeks sitten1:12:03

1:12:03

Live recording from an AMA (Ask Me Anything) Panel Discussion on April 3, 2024. The panelists of the sessions were: 𝗞𝗮𝗹𝗲𝗻𝗮 𝗕𝗼𝘃𝗲𝗹𝗹, 2024 Sphinx Medal of Excellence & former Assistant Conductor, Memphis Symphony 𝗠𝗶𝗰𝗵𝗲𝗹𝗹𝗲 𝗗𝗶 𝗥𝘂𝘀𝘀𝗼, Dudamel Fellow, LA Philharmonic; Associate Conductor, North Carolina Symphony 𝗙𝗲𝗿𝗻𝗮𝗻𝗱𝗮 𝗟𝗮𝘀𝘁𝗿𝗮, Assistant Conductor & Diversity Fellow, Buffalo Philharmonic 𝗦𝘂𝗻𝗻𝘆 𝗫𝗶𝗮, Associate Conductor, Seattle Symphony If you missed my interview with Kalena Bovell in Season 1 Episode 14 where we discussed time management skills, make sure to revisit it: https://theconductorspodcast.com/podcast/14/ All About Chaowen Ting…

1
Chloé Dufresne 46:47

39 weeks sitten46:47

46:47

My first in person interview for the podcast with conductor Chloé Dufresne, recorded on February 23, 2024 when she visited Atlanta through the Villa Albertine artist residence program with the French Consulate in Atlanta. We talked about her conducting training, experiences with American and European orchestras, and current and upcoming projects. Learn more about Chloé: https://www.chloedufresne.com/ All About Chaowen Ting…

1
3 Biggest Mistakes at Conducting Competitions and Workshops 12:28

41 weeks sitten12:28

12:28

Based on my experiences teaching conducting workshops and participating in competitions, the three biggest mistakes are: 1. Worrying so much about the ensemble problems when you are the one causing the problems. 2. Only concerned about your conducting, your vision of the music and fail to connect with musicians. 3. Thinking that it’s only about conducting - how about your leadership styles, interpersonal skills, and the way you present yourself? All About Chaowen Ting…

1
Our Unique Journeys 4:34

41 weeks sitten4:34

4:34

Welcome back to season 3 of The Conductor’s Podcast. In this season I will be sharing things I’ve learned this past year, my experiences participating in competitions, interviews with some new and old friends, and live recordings of several Girls Who Conduct webinars! All About Chaowen Ting

1
Why You Need a Career Coach with Karen Cubides 26:34

1 year sitten26:34

26:34

Last week I spoke with Karen on Marketing for Musicians, and we discussed boundaries and showing your uniqueness to the world, and understand who you are serving. In today's conversation, I spoke with Karen about another part of her specialty - career coach, and dig into how people have different definitions of success, and to find the answers from within. Karen Cubides is the passionate and engaging founder and CEO of the Karen Cubides Agency based in Nashville, Tennessee. Her holistic approach to coaching her clients allows her to serve a wide range of well-established musicians and young professionals alike in unique and personal ways. Through her intimate understanding of the relationship between personal growth and professional achievement, Karen builds up the individual, the artist, and the professional within each of her clients as they master goal-setting, lifestyle balance, and the nuances of our evolving industry. Her commitment, care, and creativity have connected her with incredible individuals and organizations across the world. Karen founded her agency early in her career out of her empathy for the people she worked with and admired. She firmly believes that musicians do not have to choose between promising careers and fulfilling personal lives. Her compassion has driven her time and again to better herself and her agency to bring out the best in each of her clients, both personally and professionally. By understanding and assessing the whole individual and not the performer exclusively, her clients continue to thrive in their creative passions and In their personal relationships. Karen has had the privilege of working with musicians of all backgrounds, from bird land to Broadway and from the Philharmonic to the Blair School of Music. All About Chaowen Ting…

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