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Three Mistakes to Avoid with String Sectionals
Manage episode 363365976 series 2990368
Sisällön tarjoaa Chaowen Ting. Chaowen Ting tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.
As the largest body of an orchestra, it's always great to have a string sectional to unify style, articulation, and even phrasing. If you are not a string player yourself, what are the mistakes to avoid when leading a string sectional?
Instead of:
Instead of:
- Get stuck in bowing discussions
- Not knowing your terms
- Give instructions on bowing or fingering
Do this:
- Always have a set of bowings marked in the part before distributing them
- Describe the sounds you want
- Let the principals / concertmaster adjust things as they see fit
- Get help, be over-prepared, and bring an open mind to see what they are offering you!
87 jaksoa
Manage episode 363365976 series 2990368
Sisällön tarjoaa Chaowen Ting. Chaowen Ting tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.
As the largest body of an orchestra, it's always great to have a string sectional to unify style, articulation, and even phrasing. If you are not a string player yourself, what are the mistakes to avoid when leading a string sectional?
Instead of:
Instead of:
- Get stuck in bowing discussions
- Not knowing your terms
- Give instructions on bowing or fingering
Do this:
- Always have a set of bowings marked in the part before distributing them
- Describe the sounds you want
- Let the principals / concertmaster adjust things as they see fit
- Get help, be over-prepared, and bring an open mind to see what they are offering you!
87 jaksoa
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×Do you also use recordings to help your score study process? Today I am going to share a few things that I do with recordings! 1. See the many interpretational possibilities regarding tempi, balance, or conducting patterns. 2. Check what I might have missed in your score study (dynamics, chord change, important lines, or bringing out a different layer) 3. Memory check when memorizing the score 4. Know what might need rehearsals 5. Help visualize the score 6. The choreography of conducting gestures, 7. Bowings consultance All About Chaowen Ting…

1 Ask Me Anything with Band Conductors 1:08:18
1:08:18
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Live recording from an AMA (Ask Me Anything) Panel Discussion on May 20, 2024. The session was moderated by my colleague Dr. Janet Kim, and our panelists were: Shelley Axelson , Director of Bands, Radford University Julia Baumanis , Associate Director of Bands, Rutgers University Tina Dimeglio , Associate Director of Bands, University of South Florida If you missed my interview with Julia Baumanis in Season 1 Episode 31 where we spoke about her journey as a band director, check out: https://theconductorspodcast.com/podcast/31/ All About Chaowen Ting…
Catching up with returning guest Kevin Fitzgerald :) Make sure you check out or revisit my interview with Kevin in Season 2 when we talked about audition preparation and navigating the business: https://theconductorspodcast.com/podcast/s2e7/ AND https://theconductorspodcast.com/podcast/s2e8/ All About Chaowen Ting…
Five key preparation factors for competitions (and as a good conductor in general!) 1. Know the score inside out 2. Have (form and be very firm) your own opinion about the music 3. Have enough techniques to deliver your ideas 4. Keep a high energy and engage musicians at all times 5. Develop problem solving skills - rehearsal techniques, interruptions from the jury, being asked to do a piece you are less good at All About Chaowen Ting…
Live recording from an AMA (Ask Me Anything) Panel Discussion on May 6, 2024. The session was moderated by my colleague Dr. Janet Kim, and our panelists were: Arianne Abela , Director of the Choral Program, Amherst College Maria A. Ellis , the Girl Conductor Amanda Hanzlik , Director of Choirs, E.O. Smith High School; President - Elect, ACDA Eastern Region Liana Salinas , Artistic Director, Miami Children's Chorus If you missed my interview with Maria A. Ellis in Season 1 Episode 2 where I interviewed someone for the very first time - she is so inspiring!! Check it out: https://theconductorspodcast.com/podcast/2/ All About Chaowen Ting…

1 Anna Sułkowska-Migoń 1:19:41
1:19:41
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Very happy to welcome Anna Sułkowska-Migoń, the winner of the 2022 La Maestra Competition in Paris, where I was a quarter-finalist. Anna and I talked about her experience after the competition, her growth and challenges, and what she has learned in her journey. This interview was recorded in May 2024 when Anna was expecting her daughter and we wish her and her family a wonderful start of this new chapter. Learn more about Anna: https://annasulkowskamigon.com/ All About Chaowen Ting…

1 Ask Me Anything with Orchestra Conductors - Education / Youth 1:19:43
1:19:43
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Live recording from an AMA (Ask Me Anything) Panel Discussion on May 3, 2024. The panelists of the sessions were: Juhi Bensal , composer, conductor, and educator Joanna Drimatis , Music Director and Chief Conductor, Beecroft Orchestra Katie LaBrie , composer, conductor, and educator All About Chaowen Ting…

1 Ask Me Anything with Opera Conductors 1:28:59
1:28:59
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Live recording from an AMA (Ask Me Anything) Panel Discussion on April 28, 2024. The panelists of the sessions were: Marta Gardolinska , Music Director, Opera national de Lorraine Stephanie Rhodes Russell , Founder, Women’s Artistic Leadership Initiative; Guest Conductor, Wolf Trap Opera, Cincinnati Opera, Washington National Opera Michelle Rofrano , Artistic Director, PROTESTRA; Guest Conductor, Madison Opera, City Lyric Opera, Curtis Institute of Music If you missed my interview with Michelle Rofrano in Season 1 Episode 3 where we discussed programming for social causes, make sure to revisit it: https://theconductorspodcast.com/podcast/3/ All About Chaowen Ting…
I've always thought that I wasn't a good competition type of conductor, until I realized that I actually convinced myself that I wasn't good in a certain area so I didn't need to continue improving myself. From 2022, I entered La Maestra Competition in Paris, won the 3rd Prize at Kussewitzky Competition 2023 and 2nd Prize at the Mendelssohn Competition 2024. In this season's episodes, I will be sharing more what I've learned in my journey. But before that, my thoughts on conducting competitions - they are just one of the many events that are going to shape and form your conducting journey. 1. Be super clear why you are doing it, and list your learning objectvies 2. Focus on things we can control 3. Know what you need to be successful PS. My interview with Lina Gonzalez Granados on organizing your score, time, and journey in Season 1 Episode 38: https://theconductorspodcast.com/podcast/organize-your-score-time-and-journey-with-lina-gonzalez-granados/ All About Chaowen Ting…
I finally had the pleasure to meet and speak with Dr. Andrea Brown, Associate Director of Bands at the University of Maryland. Previously served as director of orchestra and assistant director of bands at the Georgia Institute of Technology in Atlanta and assistant director of bands at the University of Michigan, we spoke about her experience as a conductor and the founder of “Women Rising to the Podium.” All About Chaowen Ting…

1 Ask Me Anything with Orchestra Conductors 1:12:03
1:12:03
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Live recording from an AMA (Ask Me Anything) Panel Discussion on April 3, 2024. The panelists of the sessions were: 𝗞𝗮𝗹𝗲𝗻𝗮 𝗕𝗼𝘃𝗲𝗹𝗹, 2024 Sphinx Medal of Excellence & former Assistant Conductor, Memphis Symphony 𝗠𝗶𝗰𝗵𝗲𝗹𝗹𝗲 𝗗𝗶 𝗥𝘂𝘀𝘀𝗼, Dudamel Fellow, LA Philharmonic; Associate Conductor, North Carolina Symphony 𝗙𝗲𝗿𝗻𝗮𝗻𝗱𝗮 𝗟𝗮𝘀𝘁𝗿𝗮, Assistant Conductor & Diversity Fellow, Buffalo Philharmonic 𝗦𝘂𝗻𝗻𝘆 𝗫𝗶𝗮, Associate Conductor, Seattle Symphony If you missed my interview with Kalena Bovell in Season 1 Episode 14 where we discussed time management skills, make sure to revisit it: https://theconductorspodcast.com/podcast/14/ All About Chaowen Ting…
My first in person interview for the podcast with conductor Chloé Dufresne, recorded on February 23, 2024 when she visited Atlanta through the Villa Albertine artist residence program with the French Consulate in Atlanta. We talked about her conducting training, experiences with American and European orchestras, and current and upcoming projects. Learn more about Chloé: https://www.chloedufresne.com/ All About Chaowen Ting…
Based on my experiences teaching conducting workshops and participating in competitions, the three biggest mistakes are: 1. Worrying so much about the ensemble problems when you are the one causing the problems. 2. Only concerned about your conducting, your vision of the music and fail to connect with musicians. 3. Thinking that it’s only about conducting - how about your leadership styles, interpersonal skills, and the way you present yourself? All About Chaowen Ting…
Welcome back to season 3 of The Conductor’s Podcast. In this season I will be sharing things I’ve learned this past year, my experiences participating in competitions, interviews with some new and old friends, and live recordings of several Girls Who Conduct webinars! All About Chaowen Ting
Last week I spoke with Karen on Marketing for Musicians, and we discussed boundaries and showing your uniqueness to the world, and understand who you are serving. In today's conversation, I spoke with Karen about another part of her specialty - career coach, and dig into how people have different definitions of success, and to find the answers from within. Karen Cubides is the passionate and engaging founder and CEO of the Karen Cubides Agency based in Nashville, Tennessee. Her holistic approach to coaching her clients allows her to serve a wide range of well-established musicians and young professionals alike in unique and personal ways. Through her intimate understanding of the relationship between personal growth and professional achievement, Karen builds up the individual, the artist, and the professional within each of her clients as they master goal-setting, lifestyle balance, and the nuances of our evolving industry. Her commitment, care, and creativity have connected her with incredible individuals and organizations across the world. Karen founded her agency early in her career out of her empathy for the people she worked with and admired. She firmly believes that musicians do not have to choose between promising careers and fulfilling personal lives. Her compassion has driven her time and again to better herself and her agency to bring out the best in each of her clients, both personally and professionally. By understanding and assessing the whole individual and not the performer exclusively, her clients continue to thrive in their creative passions and In their personal relationships. Karen has had the privilege of working with musicians of all backgrounds, from bird land to Broadway and from the Philharmonic to the Blair School of Music. All About Chaowen Ting…
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