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S2E21: Mike Vosburg Is Drawn To The Dark Side

1:02:42
 
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Manage episode 442049480 series 3587939
Sisällön tarjoaa The How NOT To Make A Movie Podcast. The How NOT To Make A Movie Podcast tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.
Mike Vosburg’s cover art for the Crypt episode “On A Dead Man’s Chest”, directed by William Friedkin: Drawn to the dark side

If you’ve ever seen an episode of Tales From The Crypt, you’ve enjoyed the work of artist and comic book creator Mike Vosburg. When you sit and talk to Mike – aka Voz – you can’t help thinking “Wow, what a terrific person!” And then you look at his comic book art and you can’t help thinking “Wow, and he’s so drawn to the dark side.” I mean that in the nicest way possible of course!

Gil and I first met artist Mike Vosburg when we went aboard “Tales From The Crypt” at the start of its third season. Each Crypt episode began with a comic book cover depicting the episode’s most horrific moment. Mike drew the covers. Though Mike had been working in the comic book business for a long time by then, the Crypt gig suited him. He was already “drawn to the dark side”.

Comics Are Mike’s Life

Mike’s love of the comic book form began early. As a teen, he produced and edited the fanzine Masquerader. In time, his passion for comics took him to New York City where he worked for Marvel, DC and Charlton Comics among others. He worked with Stan Lee (as did Gil and I!) Before he headed west, he’d put his imprimatur on series like Thor, She-Hulk, Starfire and GIJoe.

Arriving in Hollywood, Mike got work drawing storyboards for feature films and TV shows. Storyboards help directors articulate their vision. That work eventually led him to Tales From The Crypt. We’ll talk comic books and working at Marvel. Penciling vs inking. John Frankenheimer, Ninja Turtles and film noir among other things. And, did I mention that Mike won an Emmy for directing episodes of Spawn on HBO? And, of course, we’ll talk a whole lot of Tales From The Crypt.

  continue reading

157 jaksoa

Artwork
iconJaa
 
Manage episode 442049480 series 3587939
Sisällön tarjoaa The How NOT To Make A Movie Podcast. The How NOT To Make A Movie Podcast tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.
Mike Vosburg’s cover art for the Crypt episode “On A Dead Man’s Chest”, directed by William Friedkin: Drawn to the dark side

If you’ve ever seen an episode of Tales From The Crypt, you’ve enjoyed the work of artist and comic book creator Mike Vosburg. When you sit and talk to Mike – aka Voz – you can’t help thinking “Wow, what a terrific person!” And then you look at his comic book art and you can’t help thinking “Wow, and he’s so drawn to the dark side.” I mean that in the nicest way possible of course!

Gil and I first met artist Mike Vosburg when we went aboard “Tales From The Crypt” at the start of its third season. Each Crypt episode began with a comic book cover depicting the episode’s most horrific moment. Mike drew the covers. Though Mike had been working in the comic book business for a long time by then, the Crypt gig suited him. He was already “drawn to the dark side”.

Comics Are Mike’s Life

Mike’s love of the comic book form began early. As a teen, he produced and edited the fanzine Masquerader. In time, his passion for comics took him to New York City where he worked for Marvel, DC and Charlton Comics among others. He worked with Stan Lee (as did Gil and I!) Before he headed west, he’d put his imprimatur on series like Thor, She-Hulk, Starfire and GIJoe.

Arriving in Hollywood, Mike got work drawing storyboards for feature films and TV shows. Storyboards help directors articulate their vision. That work eventually led him to Tales From The Crypt. We’ll talk comic books and working at Marvel. Penciling vs inking. John Frankenheimer, Ninja Turtles and film noir among other things. And, did I mention that Mike won an Emmy for directing episodes of Spawn on HBO? And, of course, we’ll talk a whole lot of Tales From The Crypt.

  continue reading

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