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Sisällön tarjoaa The Poetry Society. The Poetry Society tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.
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Ilya Kaminsky talks to Emily Berry

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Manage episode 239954013 series 131997
Sisällön tarjoaa The Poetry Society. The Poetry Society tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.
In the latest Poetry Review podcast, Emily Berry talks to Ilya Kaminsky, author of the astonishing and internationally acclaimed collection Deaf Republic. Their conversation ranges across political poetry (only in English do people try to divide poetry that is political and not political, everywhere else poetry is political, says Kaminsky), of matching your method to show what it is you see as a writer, about the need to witness the good as well as the bad, and the poet as a private person. Kaminsky, born in the former Soviet Union but now an American citizen, describes his unrequited love for English: “sometimes a stranger can make love to the language a little better than the native person... of course it can also be very awkward too”.
  continue reading

117 jaksoa

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Ilya Kaminsky talks to Emily Berry

The Poetry Society

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published

iconJaa
 
Manage episode 239954013 series 131997
Sisällön tarjoaa The Poetry Society. The Poetry Society tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.
In the latest Poetry Review podcast, Emily Berry talks to Ilya Kaminsky, author of the astonishing and internationally acclaimed collection Deaf Republic. Their conversation ranges across political poetry (only in English do people try to divide poetry that is political and not political, everywhere else poetry is political, says Kaminsky), of matching your method to show what it is you see as a writer, about the need to witness the good as well as the bad, and the poet as a private person. Kaminsky, born in the former Soviet Union but now an American citizen, describes his unrequited love for English: “sometimes a stranger can make love to the language a little better than the native person... of course it can also be very awkward too”.
  continue reading

117 jaksoa

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