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Sisällön tarjoaa BBC and BBC World Service. BBC and BBC World Service tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.
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TV made me do it

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Manage episode 445728874 series 1301463
Sisällön tarjoaa BBC and BBC World Service. BBC and BBC World Service tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.

Spoiler alert! At the end of the fourth season of Emily in Paris, the protagonist sets off to go to Rome. In response, the French President Emmanuel Macron has promised that “we will fight hard” to keep Emily in Paris in France. Why does he care so much? A recent study suggests that 38 per cent of all visitors to Paris name the show as one of the reasons for visiting. Inspired by this factoid, we started thinking about the ways in which TV can influence us.

We examine how Star Trek inspired mobile phones – and the outfit of one of our panelists. Plus, we find out more about the impact Dana Scully from The X Files had on a generation of girls. And what does psychology say about fandom?

But how can science influence the films? We speak to Dr Adam Rutherford, a geneticist, broadcaster, and, importantly, scientific advisor for movies. What does that last role involve? Which films get the science right? And is scientific accuracy important for a Hollywood blockbuster?

Also in the programme, we hear about the mysterious recent earthquakes in Ethiopia, and Unexpected Elements listeners with visual impairments get in touch to share the secrets of what they can see inside their heads. And finally, we take a look at the surprising connection between cricket and statistics.

Presenter: Marnie Chesterton with Andrada Fiscutean and Christine Yohannes Producer: Florian Bohr with Alice Lipscombe-Southwell and Anna Charalambou Sound engineer: Cath McGhee

  continue reading

385 jaksoa

Artwork

TV made me do it

Unexpected Elements

220,210 subscribers

published

iconJaa
 
Manage episode 445728874 series 1301463
Sisällön tarjoaa BBC and BBC World Service. BBC and BBC World Service tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.

Spoiler alert! At the end of the fourth season of Emily in Paris, the protagonist sets off to go to Rome. In response, the French President Emmanuel Macron has promised that “we will fight hard” to keep Emily in Paris in France. Why does he care so much? A recent study suggests that 38 per cent of all visitors to Paris name the show as one of the reasons for visiting. Inspired by this factoid, we started thinking about the ways in which TV can influence us.

We examine how Star Trek inspired mobile phones – and the outfit of one of our panelists. Plus, we find out more about the impact Dana Scully from The X Files had on a generation of girls. And what does psychology say about fandom?

But how can science influence the films? We speak to Dr Adam Rutherford, a geneticist, broadcaster, and, importantly, scientific advisor for movies. What does that last role involve? Which films get the science right? And is scientific accuracy important for a Hollywood blockbuster?

Also in the programme, we hear about the mysterious recent earthquakes in Ethiopia, and Unexpected Elements listeners with visual impairments get in touch to share the secrets of what they can see inside their heads. And finally, we take a look at the surprising connection between cricket and statistics.

Presenter: Marnie Chesterton with Andrada Fiscutean and Christine Yohannes Producer: Florian Bohr with Alice Lipscombe-Southwell and Anna Charalambou Sound engineer: Cath McGhee

  continue reading

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