In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Sisällön tarjoaa Yan Vinterfeld and Final Draft. Yan Vinterfeld and Final Draft tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.
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Write On: 'Fallout' Co-Creator & Showrunner Graham Wagner
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Manage episode 434450614 series 79914
Sisällön tarjoaa Yan Vinterfeld and Final Draft. Yan Vinterfeld and Final Draft tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.
Almost all the characters [in Fallout, the TV show] are brand new… We really took the world of Fallout that had been built up and iterated upon by other video game writers over the years and we wanted to do our own version of it rather than retell any version that someone else has already done. Our attitude was like, ‘Okay, let's say this is a new Fallout game. What would it be?’ So, we took the world, the background, the themes of the games and the tone. It's a new story. New people,” says Graham Wagner, co-creator and showrunner of Fallout on Amazon Prime. In this episode of the Final Draft’s Write On Podcast, we talk with Graham Wagner about Fallout, a show based on the beloved videogame, that’s earned 17 Emmy nominations including Outstanding Writing for a Drama Series. Wagner talks about taking the structure and tone from Sergio Leone’s Western, The Good, the Bad and the Ugly, and focusing on three central figures: Lucy (Ella Purnell), The Ghoul (Walton Goggins) and Maximus (Aaron Moten), and intertwining their disparate storylines. “We made an intentional collision of genres because Walton Goggins' character is very much of the wasteland of the Western genre, which is sort of apocalyptic in its own way, depending on your perspective. There isn't the infrastructure and people are trying to build civilization on the ashes of the civilization that has been eradicated before them. You know there's a lot of parallels there,” says Wagner. To learn more about the show Fallout and hear Wagner’s advice for writing TV pilots, listen to the podcast.
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141 jaksoa
MP3•Jakson koti
Manage episode 434450614 series 79914
Sisällön tarjoaa Yan Vinterfeld and Final Draft. Yan Vinterfeld and Final Draft tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.
Almost all the characters [in Fallout, the TV show] are brand new… We really took the world of Fallout that had been built up and iterated upon by other video game writers over the years and we wanted to do our own version of it rather than retell any version that someone else has already done. Our attitude was like, ‘Okay, let's say this is a new Fallout game. What would it be?’ So, we took the world, the background, the themes of the games and the tone. It's a new story. New people,” says Graham Wagner, co-creator and showrunner of Fallout on Amazon Prime. In this episode of the Final Draft’s Write On Podcast, we talk with Graham Wagner about Fallout, a show based on the beloved videogame, that’s earned 17 Emmy nominations including Outstanding Writing for a Drama Series. Wagner talks about taking the structure and tone from Sergio Leone’s Western, The Good, the Bad and the Ugly, and focusing on three central figures: Lucy (Ella Purnell), The Ghoul (Walton Goggins) and Maximus (Aaron Moten), and intertwining their disparate storylines. “We made an intentional collision of genres because Walton Goggins' character is very much of the wasteland of the Western genre, which is sort of apocalyptic in its own way, depending on your perspective. There isn't the infrastructure and people are trying to build civilization on the ashes of the civilization that has been eradicated before them. You know there's a lot of parallels there,” says Wagner. To learn more about the show Fallout and hear Wagner’s advice for writing TV pilots, listen to the podcast.
…
continue reading
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