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Sisällön tarjoaa Tracie Guy-Decker & Emily Guy Birken, Tracie Guy-Decker, and Emily Guy Birken. Tracie Guy-Decker & Emily Guy Birken, Tracie Guy-Decker, and Emily Guy Birken tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.
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Deep Thoughts about The Birdcage

1:09:15
 
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Manage episode 448627420 series 3493147
Sisällön tarjoaa Tracie Guy-Decker & Emily Guy Birken, Tracie Guy-Decker, and Emily Guy Birken. Tracie Guy-Decker & Emily Guy Birken, Tracie Guy-Decker, and Emily Guy Birken tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.

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Shouldn't you be holding the crucifix? It is the prop for martyrs!

The 1996 film The Birdcage offered a revolutionary portrayal of gay love in a mainstream movie. Not only do we see a stable, loving, long-term relationship between Robin Williams’ Armand and Nathan Lane’s Albert, but the film is a funny and joyous celebration of being queer that doesn’t require a side of tragedy.

But as Tracie shares with us this week, not everything in this laugh-out-loud farce has aged well: Armand and Albert’s son Val is a straight-up villain (see what I did there?) who pressures his parents hide their true selves, Hank Azaria’s portrayal of Agador, the Guatemalan house boy, makes his character the butt of the joke (not to mention the fact that Azaria is a straight, white, Ashkenazi Jewish man playing a queer Latino), and the shortcuts the filmmakers use to show the hypocrisy of Gene Hackman’s Senator Keeley reify racist stereotypes.

The sisters still find a lot to love in this film that asks us to question assumptions about gender performance and family–even if they can never forgive Val.

We are family! I’ve got the Guy sisters with me. Get up everybody and listen!

CW: Discussions of homophobia and the AIDS epidemic

Mentioned in this episode:

The commentator who named Val THE villain of the 1990s:

https://crookedmarquee.com/why-the-birdcage-mattered-and-how-it-came-up-short/#google_vignette

Our theme music is "Professor Umlaut" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/by/4.0/

Learn more about Tracie and Emily (including our other projects), join the Guy Girls' family, secure exclusive access to bonus episodes, video versions, and early access to Deep Thou​​ghts by visiting us on Patreon or find us on ko-fi: https://ko-fi.com/guygirls

  continue reading

Luvut

1. Deep Thoughts about The Birdcage (00:00:00)

2. Deep Thoughts About the Birdcage (00:00:01)

3. Family Drama in the Birdcage (00:07:53)

4. Unpacking Stereotypes in the Birdcage (00:23:28)

5. Gender Performance in the Birdcage (00:36:23)

6. Reimagining Gender and Sexuality in Film (00:50:35)

7. Engage With Media for Free Sticker (01:08:46)

71 jaksoa

Artwork
iconJaa
 
Manage episode 448627420 series 3493147
Sisällön tarjoaa Tracie Guy-Decker & Emily Guy Birken, Tracie Guy-Decker, and Emily Guy Birken. Tracie Guy-Decker & Emily Guy Birken, Tracie Guy-Decker, and Emily Guy Birken tai sen podcast-alustan kumppani lataa ja toimittaa kaiken podcast-sisällön, mukaan lukien jaksot, grafiikat ja podcast-kuvaukset. Jos uskot jonkun käyttävän tekijänoikeudella suojattua teostasi ilman lupaasi, voit seurata tässä https://fi.player.fm/legal kuvattua prosessia.

Send us a text

Shouldn't you be holding the crucifix? It is the prop for martyrs!

The 1996 film The Birdcage offered a revolutionary portrayal of gay love in a mainstream movie. Not only do we see a stable, loving, long-term relationship between Robin Williams’ Armand and Nathan Lane’s Albert, but the film is a funny and joyous celebration of being queer that doesn’t require a side of tragedy.

But as Tracie shares with us this week, not everything in this laugh-out-loud farce has aged well: Armand and Albert’s son Val is a straight-up villain (see what I did there?) who pressures his parents hide their true selves, Hank Azaria’s portrayal of Agador, the Guatemalan house boy, makes his character the butt of the joke (not to mention the fact that Azaria is a straight, white, Ashkenazi Jewish man playing a queer Latino), and the shortcuts the filmmakers use to show the hypocrisy of Gene Hackman’s Senator Keeley reify racist stereotypes.

The sisters still find a lot to love in this film that asks us to question assumptions about gender performance and family–even if they can never forgive Val.

We are family! I’ve got the Guy sisters with me. Get up everybody and listen!

CW: Discussions of homophobia and the AIDS epidemic

Mentioned in this episode:

The commentator who named Val THE villain of the 1990s:

https://crookedmarquee.com/why-the-birdcage-mattered-and-how-it-came-up-short/#google_vignette

Our theme music is "Professor Umlaut" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/by/4.0/

Learn more about Tracie and Emily (including our other projects), join the Guy Girls' family, secure exclusive access to bonus episodes, video versions, and early access to Deep Thou​​ghts by visiting us on Patreon or find us on ko-fi: https://ko-fi.com/guygirls

  continue reading

Luvut

1. Deep Thoughts about The Birdcage (00:00:00)

2. Deep Thoughts About the Birdcage (00:00:01)

3. Family Drama in the Birdcage (00:07:53)

4. Unpacking Stereotypes in the Birdcage (00:23:28)

5. Gender Performance in the Birdcage (00:36:23)

6. Reimagining Gender and Sexuality in Film (00:50:35)

7. Engage With Media for Free Sticker (01:08:46)

71 jaksoa

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